#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Suffering from hysteria, Sabina Spielrein is hospitalized under the care of Dr. Carl Jung who has begun using Dr. Sigmund Freud’s talking cure with some of his patients. Spielrain’s psychological problems are deeply rooted in her childhood and violent father. She is highly intelligent however and hopes to be a doctor, eventually becoming a psychiatrist in her own right. The married Jung and Spielrein eventually become lovers. Jung and Freud develop an almost father-son relationship with Freud seeing the young Jung as his likely successor as the standard-bearer of his beliefs. A deep rift develops between them when Jung diverges from Freud’s belief that while psychoanalysis can reveal the cause of psychological problems it cannot cure the patient.
Plot: Seduced by the challenge of an impossible case, the driven Dr. Carl Jung takes the unbalanced yet beautiful Sabina Spielrein as his patient. Jung’s weapon is the method of his master, the renowned Sigmund Freud. Both men fall under Sabina’s spell.
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|6.4/10 Votes: 98,995|
|6.3 Votes: 1493 Popularity: 12.059|
The movie does a good job….at telling you absolutely nothing!
A movie about Carl Jung and Sigmund Freud directed by David Cronenberg? That sounds surprising and interesting, to say the very least but the movie as it turned out, was far from anything interesting to watch.
There are really multiple causes. The first and foremost problem is obviously with its story. And not just only the story in itself but also the things its emphasizes and puts its focus on. It makes some bad choices with this, which makes this movie feel like a very dry and distant one.
The movie is mostly focusing on the ‘romance’ between Jung and his mental patient, played greatly by Keira Knightley. Nothing wrong with that, if only the romance was anything really romantic or something to feel involved with. It instead just feels wrong and dirty and besides isn’t made all that believable. Why, out of all of his patients and opportunities he must have had in his life, does Carl Jung suddenly decide to have an affair with this particular woman? What was so different or intriguing about her? This movie really doesn’t give you the answers to any of this.
And if you think that this movie is being one that is sort of showing the rivalry between Freud and Jung and their opposing psychology methods, you are completely wrong. There is never any interesting dynamic between the two of them, which is granted also due to the fact that Viggo Mortensen as Sigmund Freud, is hardly in the movie at all.
And don’t know what their methods were and why there are still being used in today’s psychoanalysis and why the both of them are being regarded as the two founding fathers of psychoanalysis? Don’t expect this movie to show or tell you anything! It really remains on the surface all, as if it was afraid for its own subject and that it might loose some of its viewers with it.
In other words, the movie really isn’t telling you anything interesting and it’s mostly being an unusual romantic movie, you’ll get very little out off.
All a same really, since the movie itself remains well made and acted out. It’s a pretty good looking movie, with all of its historical sets and costumes and the actor’s play their roles convincingly. It at least still makes the movie watchable but it’s barely enough to keep you interested in it.
Complex subject lightened up for the screen.
Have you ever witness a hysterical person having a crisis? I haven’t, probably neither have you. Could that be the reason why to some reviewers (including myself) the histrionics of Keira Knightley as a hysterical patient were embarrassing to watch on the screen? I don’ know. Probably real hysteria looks like that but in daily life a witness won’t feel what a film viewer feels when being forced to watch incessantly all those facial and body contortions on close ups.
After those first over-sized and over-dramatic scenes, the film takes a very natural tempo either on camera work or in tone down dialogs, serene outdoor and indoor scenes, making a very well mannered, ultra civilized and fascinating film indeed.
The professionalism of everyone involved in it is impeccable and the script sound as it could be for a one and a half hour film explaining to a general public something as complicated as psychoanalysis involving two of the most important personalities of the last century responsible to have revolutionized and changed the course of history in that field for ever after.
Some reviewers criticized this movie as elemental, as too basic while I think it wasn’t meant for a professional audience of top psychologists, but merely a very good piece of entertainment for the masses and at the same time with modest doses of knowledge about a theme that in general is unknown to the great majority and vastly complicated.
Same goes for the criticism of some reviewers about the sex life of these people when it came to show them in bed doing their own Kamasutra. How far did they expected the sex scenes to go? to the point of impregnation of the female and posterior birth as its consequence?
I don’t know, I think that that was beside the point in this very serious movie and moreover, that kind of titillation should be look for on a different kind of movie. To me this was an excellent movie very fulfilling from all points of view.
Original Language en
Runtime 1 hr 39 min (99 min)
Genre Biography, Drama, Romance, Thriller
Director David Cronenberg
Writer Christopher Hampton (screenplay), Christopher Hampton (play), John Kerr (book)
Actors Keira Knightley, Viggo Mortensen, Michael Fassbender, Vincent Cassel
Country UK, Germany, Canada, USA
Awards Nominated for 1 Golden Globe. Another 18 wins & 27 nominations.
Production Company Recorded Picture Company (RPC)
Sound Mix Dolby Digital, DTS
Aspect Ratio 1.85 : 1
Camera Arricam LT, Cooke S4 Lenses, Arricam ST, Cooke S4 Lenses, Arriflex 435, Cooke S4 Lenses
Laboratory ARRI Film & TV, München, Germany (high definition dailies), DeLuxe EFilm Toronto, Toronto, Canada (digital intermediate)
Film Length N/A
Negative Format 35 mm (Kodak)
Cinematographic Process Digital Intermediate (2K) (master format), Super 35 (3-perf) (source format)
Printed Film Format 35 mm (spherical), D-Cinema