#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – It’s November 30, 1962. Native Brit George Falconer, an English professor at a Los Angeles area college, is finding it difficult to cope with life. Jim, his personal partner of sixteen years, died in a car accident eight months earlier when he was visiting with family. Jim’s family were not going to tell George of the death or accident, let alone allow him to attend the funeral. This day, George has decided to get his affairs in order before he will commit suicide that evening. As he routinely and fastidiously prepares for the suicide and post suicide, George reminisces about his life with Jim. But George spends this day with various people, who see a man sadder than usual and who affect his own thoughts about what he is going to do. Those people include Carlos, a Spanish immigrant/aspiring actor/gigolo recently arrived in Los Angeles; Charley, his best friend who he knew from England, she who is a drama queen of a woman who romantically desires her best friend despite his sexual orientation; and Kenny Potter, one of his students, who seems to be curious about his professor beyond English class.
Plot: The life of George Falconer, a British college professor, is reeling with the recent and sudden loss of his longtime partner. This traumatic event makes George challenge his own will to live as he seeks the console of his close girl friend Charley, who is struggling with her own questions about life.
Smart Tags: #practicing_a_suicide #car_accident #broken_heart #gay_kiss #male_full_back_nudity #public_nudity #death #lecture #close_up_of_eye #recurring_dream #briefs #nudity #drug_use #nightmare #unrequited_love #drunkenness #underwater_scene #overturned_car #bare_butt #narrated_by_character #voice_over_narration
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Cinema doesn’t get much better than this
I attended the North American Premiere of “A Single Man” at the 2009 Toronto International Film Festival. This is the first foray into film for esteemed fashion designer Tom Ford, directing from his own script based on the Christopher Isherwood novel. In a word, “A Single Man” is a triumph.
It is easily one of the most Oscar-deserving films of the year. Colin Firth’s performance screams “Best Actor” (which he did win at the Venice Film Festival), Julianne Moore is exquisite, and Nicholas Hoult (About a Boy, Skins) is on his way to stardom. I was simply awestruck.
The curtain rises on a despondent George (Firth) having lost his longtime partner. Sapped of energy and will, he struggles to wake each day and function as the brilliant college professor he’s expected to be. Few notice the change in him, but one student sees George as a magnet pulling him forward to a place even he doesn’t understand. Kenny (Hoult) seems to glow like an angel in George’s dark world and, yet, is a puzzle and presents a challenge which he doesn’t necessarily want to confront at this stage in his life. As is his custom, he turns to Charlotte (Moore) for a warm shoulder but the temperature drops amidst the chill surrounding George’s bleak existence.
Everything about this film — the look, colors, pacing, shots, composition, cinematography, costumes, soundtrack — says that an extraordinary amount of love and care went into it. Special mention to director of photography Eduard Grau and editor Joan Sobel for their keen abilities to work lockstep with Ford in projecting his vision onto the screen. Abel Korzeniowski’s score is haunting and moving. Despite his design genius, Ford was generous enough to entrust costume designer Arianne Phillips with the freedom to work unencumbered. Production designer Dan Bishop, with art direction by Ian Phillips and set decorator Amy Wells, created two worlds — a cold, stark one in which George sees only hopelessness, and another warm, colorful one in which he has hope.
What stays with the viewer, though, is the enigmatic friendship between George and Kenny. Nicholas Hoult is absolutely mesmerizing in this. The way Ford shot him made people gasp. He’s lit, framed, and shot like an Adonis. Of course, that’s the idea here. This will definitely be a break out role for the 19-year-old. The camera loves him, and it’s a pretty daring performance.
Most of all, this is a tour de force for Firth and a stunning achievement which is destined to be a highlight of his distinguished career. The range of emotions and the extent to which his character must convey them through his eyes and facial expressions, with the copious use of long takes without dialogue, left me wide-eyed with wonder.
This is the stuff of great movies. They don’t get much better than this.
Tom Ford’s debut has an immediate effect and an after effect. We are taken immediately by the “preciousness” of the image. Limpid, exquisite and slightly detached. The after effect is a whole other story. Colin Firth’s face comes to haunt you. His pain and his deep period of reflection has a powerful, contagious effect. Colin Firth creates a character that contains a doses of his D’Arcy of Pride and Prejudice and a pinch of his Adrian LeDuc of Apartment Zero but the rest is totally inedited. His middle age man that spends a day drowning in a memory that tortures him has a resonance that touches countless personal memories. Love without other implications, because love is all there is. I applauded until my hands hurt when I found out that Firth had won the Copa Volpi at the 2009 Venice Film Fest for this role. This was so richly deserved. I doubt I’ll see a better performance this year. Bravo!
Original Language en
Runtime 1 hr 39 min (99 min)
Genre Drama, Romance
Director Tom Ford
Writer Christopher Isherwood (novel), Tom Ford (written for the screen by), David Scearce (written for the screen by)
Actors Colin Firth, Julianne Moore, Nicholas Hoult, Matthew Goode
Awards Nominated for 1 Oscar. Another 39 wins & 57 nominations.
Production Company Fade to Black Productions, Artina Films, Depth of Field
Sound Mix Dolby Digital
Aspect Ratio 2.35 : 1
Camera Arriflex 435, Panavision Primo Lenses, Panavision Panaflex Millennium XL, Panavision Primo Lenses, Panavision Panaflex Millennium XL2, Panavision Primo Lenses
Laboratory Company 3, Los Angeles (CA), USA (digital intermediate), DeLuxe, Hollywood (CA), USA, FotoKem Laboratory, Burbank (CA), USA (film processing)
Film Length 2,741 m (Sweden), 2,750 m (Portugal, 35 mm)
Negative Format 35 mm (Kodak Vision 500T 5279)
Cinematographic Process Digital Intermediate (2K) (master format), Super 35 (also 3-perf) (source format)
Printed Film Format 35 mm (anamorphic)