#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – 57 years after Ellen Ripley had a close encounter with the reptilian alien creature from the first movie, she is called back, this time, to help a group of highly trained colonial marines fight off against the sinister extraterrestrials. But this time, the aliens have taken over a space colony on the moon LV-426. When the colonial marines are called upon to search the deserted space colony, they later find out that they are up against more than what they bargained for. Using specially modified machine guns and enough firepower, it’s either fight or die as the space marines battle against the aliens. As the Marines do their best to defend themselves, Ripley must attempt to protect a young girl who is the sole survivor of the nearly wiped out space colony.
Plot: When Ripley’s lifepod is found by a salvage crew over 50 years later, she finds that terra-formers are on the very planet they found the alien species. When the company sends a family of colonists out to investigate her story—all contact is lost with the planet and colonists. They enlist Ripley and the colonial marines to return and search for answers.
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|8.3/10 Votes: 680,817|
|7.9 Votes: 7270 Popularity: 34.995|
One of my all time favorites. It still contains some of the drama and suspense of the first but with far more action leading to what I find a far more appealing storyline. As with Cameron’s movies he makes you feel for the core characters from the start rather than just a bunch of ‘bad ass’ marines (Although they are). The progression of Ripley was really defined by this movie the ‘brave but scared’ Ripley of Alien is gone and a more determined, meaner Ripley emerges with elements of the older nurturing character kept in check with a young girl called Newt. It definitely stands out miles compared to all the other 80’s alien-type movies of that decade.
My mommy always said there were no monsters – no real ones – but there are.
Ripley has been found in deep space by a salvage ship and brought back to a space station to be awoken from her 57 year sleep. Here she is mortified to find that the planet on which herself and her now deceased Nostromo crew found the Alien, LV-426, has been colonised by Weyland-Yutani Company. Suffice to say that when The Company representative, Burke, tells her that all contact is lost, she’s not in the least bit surprised. Unable to get anyone to believe her about what happened to the Nostromo crew, Ripley is cajoled into going back to LV-426 with a crack team of space marines to seek, destroy or rescue…
How do you make a sequel to one of the finest, most loved modern era films ever? This was something that director James Cameron must have pondered on many a dark night once he had agreed to make Aliens. The answer was to rightly not copy the format so brilliantly laid down by Ridley Scott and his team for Alien, but to embrace its mood and enhance it with thrills spills and exhilaration. This was only Cameron’s third feature length movie, and here he was working with the crew who had made Scott’s movie so special. Also writing as well as directing, this could have gone very wrong indeed, but Cameron rose to the challenge admirably and set up his marker on how his film would succeed. Keep the premise simple and seamlessly connected to Scott’s film, and lets have more. Not just one bad ass acid bleeding alien, but an army of them, and their mother too!
They mostly come at night – mostly.
Where Alien was a splicing of sci-fi wonderment and basic horror terrors, Aliens is a blend of war film staples to compliment both of those earlier picture things. Thus in keeping with Cameron’s more is more work in progress skeleton. Another thing that Cameron instinctively called right was to make Aliens about Ripley (Sigorney Weaver simply brilliant), it’s her story. Be it a parental thread or a feminist heroine fighting off the phallic hoards, cinema got in Ripley’s extension one of its finest and strongest female characters ever (Weaver was nominated for Best Actress but lost out to Marlee Matlin for Children of a Lesser God).
Thematically Aliens has been pored over in regards to metaphors about Vietnam, foreign policy and corporate greed at any cost, and rest assured that Aliens isn’t merely one big excuse for a shoot them up bonanza. But realistically, and explaining why it was such a huge box office success, it’s with the thrills and terror that Aliens most succeeds. The action scenes are slick and at times breath taking, and the tension is often palpable. None more so as we enter the film at the half way point, because here we realise that we have characters to care about. Blood, brains and brawn, all led by a heroine of considerable guile and guts. 10/10
Excellent sequel–matches the brilliance of the first film
Series note: It is strongly advised that you watch this film only after seeing Alien (1979). This is a direct continuation of that story.
57 years after the events of the first film, Ellen Ripley (Sigourney Weaver) is found and awakened from hyper sleep to discover that a terraforming colony has been set up on LV-426, the planet wherein she and her fellow crew of the mining cargo spaceship Nostromo first encountered the titular aliens. When Earth-based communications loses contact with LV-426, a band of marines are sent to investigate, taking Ripley and a representative from the company that financed the colony, Carter Burke (Paul Reiser) along for the ride.
For the difficult job of following up Ridley Scott’s excellent Alien, director James Cameron decided to go a completely different route–to make a fast moving, slightly tongue-in-cheek, boisterous action extravaganza. Remarkably, he was able to do that while still maintaining a stylistic and literary continuity that melds Aliens seamlessly with the first film.
Ripley is much more fully developed in this film, although unfortunately, some of the most significant scenes were deleted from the theatrical release (if at all possible, watch the 2-hour and 37-minute director’s cut instead). Cameron fashioned Aliens into a grand arc where Ripley’s actions at the end of the film have much more meaning as she’s not only fighting monsters, but also fighting to retain a semblance of something she lost due to her 57-year hyper sleep. As in the first film, she is still the most intelligent, courageous and resourceful member of the crew, but she has much more colorful company.
The marines accompanying Ripley back to LV-426 may be too cartoonish for some tastes (as for viewers of that opinion, most of the action and the film overall is likely to be too cartoonish), but for anyone more agreeable to that kind of caricatured exaggeration, it’s a joy to watch. I’m a big fan of both Bill Paxton and Lance Henriksen, and both turn in wonderfully over-the-top performances, at their diametrically opposed ends of the emotional spectrum–Paxton as the spastic surfer/redneck and Henriksen as the intense, moody sage, with a surprising reality and an even more surprising conscience to go along with it. We also get a cigar-chomping Sergeant, a crazy, butch Private, and a complex, pensive Corporal as main characters, and a mysterious, bright young girl (played in a terrific performance by Carrie Henn). Much of the center section of the film hinges on the interrelationships of these characters, despite the action trappings going on around them.
Cameron carries over the crypt/labyrinth motif of the first film, and adds a metaphorical descent into the bowels of hell in the climax. The action throughout is suspenseful. Aliens contains one of my favorite “cat fights” in any film. It’s also worth noting the influence this film may have had on Paul Verhoeven’s Starship Troopers (1997)–although admittedly, we could say that Cameron was influenced a bit by the Robert A. Heinlein book, as well. Throughout all of the varied action sequences, as well as the important early scenes of colonists on LV-426, Cameron is able to clearly convey the logistics of very complex sets, so that viewers remain on the edges of their seats.
Part of what makes the monsters so effective is that we’re not told too much about them. We only get glimpses into their physiology’s, their behavioral patterns and their intelligence. Cameron gives us just enough to become wrapped up in the film, but not so much that we become overly familiar with the aliens, or start to question the logic behind the film. He also smartly carries over some devices from the first film that were abandoned to an extent, such as the acidic blood of the aliens, and he supplies answers to the few questions that the first film raised, such as why the blood doesn’t corrode instruments and objects when a dead alien is examined.
Aliens is yet another example of a sequel that is just as good as an original film in a series. Just make sure you watch both in order, and try to watch the director’s cuts.
Game over man?
Well many would strongly disagree. But this is not about the quality of this sequel (some even suggesting this being superior than the first movie, that’s not my decision to make), it is about one of the characters spewing many memorable quote. Bill Paxton has done a lot of movies and he has shown his skills in many roles. This may be the favorite for some, but he is not alone.
And the Alien is also not alone (see what I did there?). That’s another reason this sequel is named Aliens (as in more than one). Now apparently Weaver came back to this franchise having some thoughts of her own. None of which where implemented by Cameron, but were later taken not just under consideration but made into “reality”.
But back to this, that has a lot of Aliens and a lot of weapons. Weaver herself is anti gun, but as Cameron stated, it is not Weaver shooting, it is Ripley, her character. So this is way more action packed and it also continues the story of the first movie. Effects are great, cast is amazing, some communication devices have dated though. Also a nice spin on the android-phobia from the first movie throughout the movie. Really well thought out and well made, one of the best sequels to an arguable classic
Original Language en
Runtime 2 hr 17 min (137 min), 2 hr 34 min (154 min) (special edition)
Genre Action, Adventure, Sci-Fi
Director James Cameron
Writer James Cameron, David Giler, Walter Hill
Actors Sigourney Weaver, Michael Biehn, Carrie Henn
Country United Kingdom, United States
Awards Won 2 Oscars. 20 wins & 23 nominations total
Production Company N/A
Sound Mix 70 mm 6-Track (70 mm prints), Dolby Stereo
Aspect Ratio 1.85 : 1
Camera Arriflex 35-III, Canon K35 Lenses, Moviecam SuperAmerica, Canon K35 Lenses
Laboratory DeLuxe, Hollywood (CA), USA (prints), Rank Film Laboratories, Denham, UK (processing)
Film Length 3,763 m (Sweden, 35 mm), 4,704 m (Sweden, 70 mm)
Negative Format 35 mm (also horizontal) (Eastman 400T 5294, 400T 5295)
Cinematographic Process VistaVision (special effects), Spherical
Printed Film Format 35 mm (Eastman 5384), 70 mm (blow-up) (Eastman 5384)