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Cloud Atlas 2012 123movies

Cloud Atlas 2012 123movies

Everything is ConnectedOct. 26, 2012172 Min.
Your rating: 0
5 1 vote


#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Everything is connected: an 1849 diary of an ocean voyage across the Pacific, letters from a composer to his lover, a thriller about a conspiracy at a nuclear power plant, a farce about a publisher in a nursing home;, a rebellious clone in futuristic Korea, and the tale of a tribe living on post-apocalyptic Hawaii far in the future.
Plot: A set of six nested stories spanning time between the 19th century and a distant post-apocalyptic future. Cloud Atlas explores how the actions and consequences of individual lives impact one another throughout the past, the present and the future. Action, mystery and romance weave through the story as one soul is shaped from a killer into a hero and a single act of kindness ripples across centuries to inspire a revolution in the distant future. Based on the award winning novel by David Mitchell. Directed by Tom Tykwer and the Wachowskis.
Smart Tags: #futuristic_city #dystopia #future #reincarnation #clone #nonlinear_timeline #rebellion #karma #female_nudity #tribe #composer #nursing_home #nuclear_power #escape #seoul #san_francisco_california #f_rated #cult_hero #facial_makeup #sucking_someone’s_toes #facial_scar

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Cloud Atlas 2012 123movies 1Cloud Atlas 2012 123movies 27.4/10 Votes: 352,881
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Cloud Atlas 2012 123movies 7Cloud Atlas 2012 123movies 26.9 Votes: 5864 Popularity: 28.832


Cloud Atlas was a very well made movie but unlike most of the “simultaneous stories that all come together at the end” type of movies, this one just didn’t. I’m still unclear as to the point of it all.

Another issue I had was a general feeling of goofiness. Sure, the Cavendish story was pure comedy but the rest of the stories just didn’t feel serious enough to me.

It carried my attention for the 172 minutes well enough and it was entertaining. I just expected more of a pay off at the end.

All in all, it’s definitely worth seeing but I still haven’t made up my mind if I truly liked it or not. What did you think?

Review By: Travis Bell Rating: 7.5 Date: 2013-08-13
Interesting film with an exceptional cast, fantastic performances and characterizations. The story, though, is a bit difficult to follow and, in the end, seems to not have a real point.
Review By: Andres Gomez Rating: 7 Date: 2013-05-13
Very Good Film, But Warning…
This needs to be watched more than once, is almost several films in one and requires your attention…

I admit I watched because I have been following Donna bae’s career since I am a fan of slim body (too bad about the short hair). Cloud Atlas that makes you think outside the box! Not only does this movie have amazing cinematography (more surrealism than realism), it has a plot that goes beyond the routine boundaries of sci-fi. We are brought into multiple dream-like worlds that do not care for the organisms that inhabit them, but just exist to fulfill the destiny in dazzling colors. The only reason I don’t give it a 8 is because of the drawn out back-story that is laid out in the book and between the main protagonists, which seems a little unclear upon first viewing and at times and doesn’t add as much to the story (unless there’s a sequel and we all hate those).

Review By: dogtmav Rating: 7 Date: 2020-12-23
“Cloud Atlas” is no “Matrix!”
“Cloud Atlas” qualifies as a pretentious philosophical potboiler. The premise of this lavish $100 million epic is that mankind is connected across the millennium in our pursuit of happiness. “The Matrix” co-helmers Lana and Andy Wachowski along with “Run Lola Run” director Tom Tykwer have bitten off more than they can contend with in their convoluted adaptation of bestselling British author David Mitchell’s award-winning novel. The filmmakers argue that nobody resides in a vacuum, and everybody exerts an integral influence in the evolution of mankind. Everything amounts to an eternal loop. A defiant replicant, Sonmit-451, summarizes their collective ideology: “Our lives are not our own. From womb to tomb, we are bound to others. Past and present. And by each crime, and every kindness, we birth our future.” Touting a laudable liberal agenda and boasting an incomparable cast, this schizophrenic science fiction saga serves up six insipid B-movie plots which intertwine as they unfold in a disorienting daze. Each episode concerns three chief characters and depicts them battling an oppressive system that engages in some form of prejudice. Two visual threads tie these stories together. First, some characters share a comet-shaped birthmark. Second, all appear in multiple roles. The Wachowskis told “The New Yorker” magazine that the actors represented migratory souls that evolve over time into a higher state of consciousness.

The first story takes place in 19th century Hawaii. An American attorney, Adam Ewing (Jim Sturgess of “One Day”), purchases Maori slaves for his racist father-in-law. During his sojourn on the island, Ewing suspects he is being poisoned by Dr. Henry Goose (Tom Hanks) who is treating him for parasitic worm. According to Dr. Goose, the worm is devouring Ewing’s brain. Actually, Dr. Goose covets the key around Ewing’s neck that will unlock a treasure chest. Meantime, Ewing has smuggled a slave, Autua (David Gyasi), aboard the sailing ship. The bond of friendship between them convinces the lawyer to become an abolitionist. During the 1930s, in Belgium, a destitute, young, gay musician, Robert Frobisher (Ben Whishaw), works as an amanuensis for a cantankerous composer, Vyvyan Ayrs (Jim Broadbent of “Inkheart”), who is losing his memory. One of the books Frobisher reads at Ayrs’ mansion is Adam Ewing’s seafaring chronicle. Tempers flare up between Frobisher and Ayrs when the youth writes a symphony, the Cloud Atlas Sextet, which Ayrs claims as his own. Frobisher pulls a pistol on Ayrs, packs up his symphony, and goes into hiding. The action shifts to San Francisco in 1973. A crusading journalist, Luisa Rey (Hallie Berry), obtains a confidential report about a possible meltdown at a nuclear power plant. An assassin stalks not only Luisa but also Dr. Isaac Sachs (Tom Hanks) who acted as the whistle-blower. The next story occurs in contemporary London. An ill-fated book publisher, Timothy Cavendish (Jim Broadbent), goes into hiding after some thugs threaten him about royalty payments. Timothy’s brother Denholme (Hugh Grant) arranges sanctuary for him. Timothy discovers too late that Denholme has committed him to a retirement home that he cannot leave. In the next story, set in Neo Seoul in 2144, a genetically-engineered female fabricant, Sonmi~451 (Donna Bae of “The Host”), who toils in a fast-food restaurant, participates in a revolution against an Orwellian corporatocracy. The final story takes place after a planetary apocalypse in 2346. Meronym (Hallie Berry), a survivor of a technologically-advanced society, persuades a superstitious goat herder Zachry (Tom Hanks) to guide her up a treacherous mountain to an outpost named Cloud Atlas, so she can transmit a message to humans who have abandoned Earth and reside on distant planets. Zachry and Meronym speak in a Pidgin English dialect that audiences may find difficult to decipher.

The Wachowskis directed the Ewing chronicle and the two sci-fi sagas, while Tykwer helmed the episodes about the composer, the journalist and the publisher. They cross-cut erratically between these yarns so all six end up being one single story. One minute you’re up to your neck in comedy, while the next minute you’re plunged into a tragedy. The gimmick of casting actors in various roles doesn’t always succeed. Indeed, Jim Sturgess, Hugo Weaving, and Hugh Grant aren’t convincing as Asian characters. Ultimately, some plots emerge as more entertaining. The slapstick Timothy Cavendish plot surpasses the serious, straightforward “Blade Runner” plot about an insurrection in futuristic Korea. Part of the problem with “Cloud Atlas” is that none of the characters is remotely charismatic, and the plots are pretty lackluster, particularly Adam Ewing’s adventures. Neither the Wachoswkis nor Tykwer develop a palatable sense of either tension or suspense in these stories. Sadly, despite its lofty ambitions, this derivative 163-minute melodramatic marathon suffers because nothing about it constitutes a revelation.

Review By: zardoz-13 Rating: 6 Date: 2012-11-02

Other Information:

Original Title Cloud Atlas
Release Date 2012-10-26
Release Year 2012

Original Language en
Runtime 2 hr 52 min (172 min), 2 hr 14 min (134 min) (Mainland China Cut Version) (China)
Budget 102000000
Revenue 130482868
Status Released
Rated R
Genre Action, Drama, Mystery
Director Tom Tykwer, Lana Wachowski, Lilly Wachowski
Writer David Mitchell, Lana Wachowski, Tom Tykwer
Actors Tom Hanks, Halle Berry, Hugh Grant
Country United States, Germany, Hong Kong, Singapore, China
Awards 15 wins & 79 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Digital, DTS, SDDS, Dolby Surround 7.1, Dolby Atmos
Aspect Ratio 2.39:1
Camera Arricam LT, Zeiss Master Prime and Angenieux Optimo Lenses, Arricam ST, Zeiss Master Prime and Angenieux Optimo Lenses, Phantom HD Camera, Zeiss Master Prime Lenses (high-speed shots)
Laboratory ARRI Film & TV, München, Germany (digital intermediate) (color)
Film Length 4,712 m (9 reels)
Negative Format 35 mm (Kodak Vision3 50D 5203, Vision3 200T 5213, Vision3 500T 5219), Video (HDTV)
Cinematographic Process Digital Intermediate (2K) (master format), HDTV (source format) (high-speed shots), Super 35 (also 3-perf) (source format)
Printed Film Format 35 mm (anamorphic) (Kodak Vision 2383), D-Cinema

Cloud Atlas 2012 123movies
Cloud Atlas 2012 123movies
Cloud Atlas 2012 123movies
Cloud Atlas 2012 123movies
Cloud Atlas 2012 123movies
Cloud Atlas 2012 123movies
Cloud Atlas 2012 123movies
Cloud Atlas 2012 123movies
Cloud Atlas 2012 123movies
Cloud Atlas 2012 123movies
Original title Cloud Atlas
TMDb Rating 6.9 5,864 votes

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