#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – In early-1930s Berlin during the Weimar Republic and the Nazis’ rise to power, the elegant Russian émigré and eccentric chocolatier, Hermann Hermann, leads a petite bourgeois life with his voluptuous and frivolous wife, Lydia. Troubled about his Jewish roots, Hermann convinces himself that he has seen his doppelgänger in the person of the unemployed vagabond, Felix, going as far as to hatch a murderous plan, intent on trading his very existence for an entirely new one. Now, Hermann’s desire for transcendence is gnawing at him. Will he get over the full-blown mental breakdown, and the profound despair?
Plot: Berlin, 1930, during the rise of Nazism. Hermann Hermann, a Russian emigrant and chocolate manufacturer, married to the capricious Lydia, loses his temper more and more every day when dealing with his workers and other businessmen; until he meets Felix, a vagrant, who seems to be physically identical to him; a disconcerting fact that leads Hermann Hermann to plot a particular way out of a fake world he actually hates.
Smart Tags: #1930s #chocolate #nazi #madness #based_on_novel #city #one_word_title #male_protagonist #tragedy #title_same_as_book #downward_spiral #germany #timeframe_1930s #female_rear_nudity #insurance #new_german_cinema #bankruptcy #chocolate_factory #mirror #berlin_germany #actor_playing_multiple_roles
|7.1/10 Votes: 2,410|
|6.5 Votes: 31 Popularity: 3.114|
Left me unmoved and uninvolved
Shot in English on a budget that nearly equaled the cost of his first fifteen films, Rainer Werner Fassbinder’s Despair has wit and style yet its attempt to recreate the dark, comedic genius of Vladimir Nabokov left me unmoved and uninvolved. Based on Nabokov’s novel Despair (apparently intended as a parody of Dostoevsky), and adapted for the screen by Tom Stoppard, the film describes the descent into madness of wealthy chocolate entrepreneur Hermann Herman (Dirk Bogarde). Set in Germany on the eve of the Third Reich, scenes of the Nazis assaulting Jewish-owned businesses are sprinkled throughout the film but to no apparent purpose. Herman has left his Russian home to live in Berlin and constantly fantasizes about the beauty of the Russian winters and whispers `Russia, which we have lost forever…’ to his wife, Lydia (Andrea Ferreol). He is a thoroughly unsympathetic character: cold, calculating, and cynical and Mr. Bogarde’s exaggerated mannerisms do not make him any easier to appreciate.
Much of the film takes place inside Herman’s stately bourgeois home. Shots of the characters through glass partitions keep the viewer at a distance and the elegant interiors look like an abandoned mausoleum. Lydia’s and Herman’s relationship is unconvincing and Fassbinder’s repeated descriptions of Lydia as an unintelligent sex object border on misogyny. “The flowers of your sensuality would wilt with intelligence,” Herman tells his wife whom he always addresses with condescension. In addition to Lydia, we gradually meet other vivid supporting characters: Lydia’s cousin, Ardalion; and Dr. Orlovious, an insurance salesman whom Herman mistakenly thinks is a psychiatrist and opens up to.
Herman is convinced that Felix Weber (Klaus Lowitch), a laborer, resembles him as closely as “two drops of blood.” though the resemblance is tentative at best (a joke Nabokov wisely saved for his readers until the end of his novella). He has an odd compulsion to observe himself as a stranger and devises a plan to commit the perfect crime, exchanging identities with the worker as a means of escaping his existence. Felix, on the other hand, decides to humor the eccentric Herman with the thought of getting a job. In Despair, Fassbinder constructs a world in the process of falling apart where people march inexorably toward self-destruction and where the journey into light proves to be an illusion. In a world approaching madness, however, Hermann seems to fit perfectly — no more, no less crazy than the insanity occurring around him.
Visually stunning, masterfully acted, brilliantly directedadaptation of a complex Nabokov novella.
It’s hard for me to stay away from excessive use of superlatives when commenting on what I consider to be Fassbinder’s masterpiece. Michael Ballhaus has filmed more than a dozen Fassbinder films, and Despair is a fine example of the value of their collaboration. Several images are stunningly memorable: the water dripping on the eggshells in the sink; the circular tracking shot through the glass walls of Hermann Hermann’s office revealing him in his cage; and the auto-voyeurism of Hermann watching himself in bed with his voluptuous, vacant Frau. Doing justice to Nabokov’s compelling dialog and canny character studies has been well done before in Kubrick’s Lolita, but Tom Stoppard’s rendition here was a perfect match for Fassbinder’s (and Ballhaus’s) visual feast. And if you are somehow not yet a fan of Dirk Bogarde, seeing his performance in Despair will surely make you as ardent an admirer of his work as I have become.
Original Language en
Runtime 1 hr 59 min (119 min)
Genre Drama, History
Director Rainer Werner Fassbinder
Writer Tom Stoppard, Vladimir Nabokov
Actors Dirk Bogarde, Andréa Ferréol, Klaus Löwitsch
Country West Germany, France
Awards 3 wins & 1 nomination
Production Company N/A
Sound Mix Mono
Aspect Ratio 1.66 : 1
Camera Arriflex Cameras
Laboratory Bavaria Atelier, Germany
Film Length 3,265 m
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm