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Dirty Harry 1971 123movies

Dirty Harry 1971 123movies

Detective Harry Callahan. He doesn't break murder cases. He smashes them.102 Min.
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5 1 vote

Summary:

#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – In 1971, San Francisco faces the terror of a maniac known as the “Scorpio Killer” (Andrew Robinson), who snipes at innocent victims and demands ransom through notes left at the scene of the crime. Inspector “Dirty” Harry Callahan (Clint Eastwood) is assigned to the case along with his newest partner Inspector Chico Gonzalez (Reni Santoni) to track down Scorpio and stop him. Using humiliation and cat-and-mouse type of games against Callahan, Scorpio is put to the test with the cop with a dirty attitude.
Plot: When a madman dubbed ‘Scorpio’ terrorizes San Francisco, hard-nosed cop, Harry Callahan – famous for his take-no-prisoners approach to law enforcement – is tasked with hunting down the psychopath. Harry eventually collars Scorpio in the process of rescuing a kidnap victim, only to see him walk on technicalities. Now, the maverick detective is determined to nail the maniac himself.
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Ratings:

Dirty Harry 1971 123movies 1Dirty Harry 1971 123movies 27.7/10 Votes: 149,442
Dirty Harry 1971 123movies 3Dirty Harry 1971 123movies 287%
Dirty Harry 1971 123movies 5Dirty Harry 1971 123movies 287/100
Dirty Harry 1971 123movies 7Dirty Harry 1971 123movies 27.5 Votes: 1691 Popularity: 18.558

Reviews:

More than iconography here in dynamite Siegel/Eastwood teaming.

The film opens with a shot of a memorial wall in praise of the San Francisco Police officers who lost their lives in the line of duty, a SFPD badge is prominent as the camera scrolls down the ream of names on the wall. Cut to a rooftop sniper shooting a girl taking a swim in a swimming pool, cut to the coolest looking cop you have ever seen making his way to the rooftop scene, he stands and surveys the whole of the San Francisco bay area, this is, his area, and we know we are in for a very special film indeed.

Dirty Harry is now something of an institution, the film that pushed the boundaries of cops versus bad guys movies, some of the film’s dialogue became part of modern day speak, and it’s the film that propelled Clint Eastwood into the stratosphere of super stardom. Often tagged as a fascist film, I think it’s more a cynical look at the rights of criminals because Harry is everyone who has ever been a victim of crime, he will do what it takes to take down the criminals festering in society, you break the law and Harry will get you any way he can. Here Harry is on the trail of Scorpio, a ruthless sniper killing at random, Scorpio kidnaps a teenage girl and demands $200.000 from the city or she will die in the hole he has her buried in. Harry is just the man for the job of delivery boy and this sets the wheels in motion for what becomes a personal crusade for Harry to take Scorpio down at all costs.

Director Don Siegel crafts a masterpiece here, creating a western within the big city landscape, the pace is energetic at times yet reeling itself in to provide genuine suspense when needed. Siegel should also be praised for sticking by Andy Robinson as Scorpio, for it’s an insanely great performance from him. Yet it might never had happened since Robinson was petrified of guns, but Siegel stood by him and coaxed him through it. The result is a maniacal turn that scares and amuses in equal measure – witness his mad singing during a bus kidnap scene, you will not know whether to laugh or be afraid.

Yet as good as Robinson is, he gives way to a seamless piece of magnificence from Eastwood as Harry Callahan, note perfect and enthusing the role with the right amount of dynamic cool and gusto, it’s no surprise that the character became a cinematic legend after such a great acting performance. Finally I must mention the wonderful score from Lalo Schifrin, jazz/electro/beat combinations segue perfectly into each scene with maximum impact to cap off one of the finest films of the 70s, and if you don’t believe me then you can go argue with Harry. 9/10

Review By: John Chard Rating: 9 Date: 2015-09-12
Recently I’ve considered drastically negatively re-appraising Clint Eastwood’s work, both directorially and as a thespian, as a knee-jerk reaction to his constant defense of the more racially-bigoted face of conservative America, but because of what his work has meant to me as a cinephile over the years, plus in tribute to everyone else’s work involved in this film, particularly director Don Siegel’s, that simply wouldn’t be fair.

As well, you’re basically getting, boiled down in its 103-minute timespan, 45 years after the fact, the main dilemma facing the USA. Whose rights are more important–the good guys’ or the bad guys’? If they’re equal, should they be considered equal, and what does that mean to the law enforcement and judicial systems?

Quite simply, THE most important American-made film of the past 50 years. NOT my very favourite (that’s ‘2001: A Space Odyssey’), but the most significant.

And it hasn’t aged a single day because of it.

Review By: talisencrw Rating: 10 Date: 2016-08-14
Eastwood and his .44 Magnum blew away this original action classic!
In quoting these famous lines: “A man’s gotta do what a man’s gotta do!” and “Go ahead, make my day!”. They meant something for Clint Eastwood, turning from cowboy to hit man with a surge of raging anger and ambition. The mountain terrains became an urban metropolis, thus putting the guy off the saddle and into the bloody streets of San Francisco. Which makes DIRTY HARRY an incredible classic not to be missed, as well as Eastwood’s shift to the action genre where society is run by evil. Its continuous impact of the events take place with a tight grip and a smooth pace. This remains to be one of the most entertaining experiences in classic movie history. All it takes is a cop over the edge and “The Most Powerful Handgun In The World”.

Violence was the key factor of DIRTY HARRY, and continues to be violent even today. We’ve never come to see staggering sights of brutalities before, but it was made possible to heighten the overall realism of a dark San Francisco infested with crime. Another was the quality of Clint Eastwood’s character as “Harry Callahan”, which was obviously a breakthrough for him at the time. He is best described as a smart-talking cop who hated criminals and broken the laws in serving time for the police. A very unique character he was, for going by his own personal business and taking the job “dirty”. The best acheivement goes for the cinematography. It sure doesn’t look pretty, but the effectiveness of the dark renders this haunting where no place is safe enough to run or hide. The real winner is Don Siegel, for presenting the perfect atmosphere to shoot a picture that already had a premise driven by fear and anxiety, anger and tension. He sure hasn’t done anything like this before, and possibly no movie had since then. Otherwise, we would have still been seeing these one-dollar Western shows in the afternoon!

Watch DIRTY HARRY today and you can see how the styles of moviemaking has evolved slow and easy, but it still packs a powerful bullet or two. If you’ve seen this six times or only five, you knew how lucky Clint Eastwood got the perfect part for being an all-new action star. This is the one, and original cop movie. And remember, this is “In Tribute To The Police Officers Of San Francisco Who Gave Their Lives In The Line Of Duty”!

Review By: emm Rating: 8 Date: 1999-05-07
No Nonsense, No Baloney
This was the first of the always-entertaining “Dirty Harry” cop series and it was a good one – maybe the best of the series.

One of Harry’s famous lines was in this opener: “Do ya feel lucky, punk?” Speaking of punks, Andy Robinson, who played the villain, never got famous as Clint Eastwood (“Harry”) certainly became but he was tremendous in this film. He didn’t even have to utter a line: he just looked deranged! Great casting.

Looking back, the one thing I really appreciate about this film as opposed to the rest of them in this series was the absence of Harry’s annoying superiors constantly on his case. He actually got support from his bosses in this movie.

The film as a big hit because people were already tired of all the liberal preaching of the 1960s in which we were supposed to feel sympathy for the criminal instead of the victim. This series was on the side of the cops, not the crooks, which is probably why the sick film critics never liked Dirty Harry.

This is one solid crime story with no boring spots and no sappy sub-plots with romances, either. And it’s always nice to enjoy the interesting San Francisco skyline.

Review By: ccthemovieman-1 Rating: 9 Date: 2005-10-22

Other Information:

Original Title Dirty Harry
Release Date 1971-07-14
Release Year 1971

Original Language en
Runtime 1 hr 42 min (102 min), 1 hr 39 min (99 min) (cut) (Portugal)
Budget 4000000
Revenue 35976000
Status Released
Rated R
Genre Action, Crime, Thriller
Director Don Siegel, Clint Eastwood
Writer Harry Julian Fink, Rita M. Fink, Dean Riesner
Actors Clint Eastwood, Andrew Robinson, Harry Guardino
Country United States
Awards 2 wins & 4 nominations
Production Company N/A
Website N/A


Technical Information:

Sound Mix Mono
Aspect Ratio 2.39 : 1
Camera Panavision PSR R-200, Panavision C-Series Lenses
Laboratory Technicolor, Hollywood (CA), USA (color)
Film Length 2,726 m (Sweden, cut version), 2,825 m (Sweden, uncut version), 2,807 m (Norway)
Negative Format 35 mm (Eastman 100T 5254)
Cinematographic Process Panavision (anamorphic)
Printed Film Format 35 mm

Dirty Harry 1971 123movies
Dirty Harry 1971 123movies
Dirty Harry 1971 123movies
Dirty Harry 1971 123movies
Dirty Harry 1971 123movies
Dirty Harry 1971 123movies
Dirty Harry 1971 123movies
Original title Dirty Harry
TMDb Rating 7.5 1,691 votes

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