#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – In Paris, during the riots due to the election of a conservative candidate to the presidency of France, a group of four muslim small-time criminal teenagers from the periphery; Alex, Tom, Farid, the pregnant Yasmine, and her brother Sami, plan to run away from Paris to Amsterdam with a bag full of robbed money. However, Sami is shot and the group split up, with Alex and Yasmine going to the emergency hospital with Sami while Tom and Farid head to the border with the money. Tom and Farid decide to stop in a bed and breakfast nearby the frontier, and are hosted by Gilberte and Klaudia that offer free room and sex to the newcomers. They call Alex and Yasmine who are fleeing from Paris to join them in the inn. But soon they discover that their hosts are sadistic cannibals of a Nazi family led by the deranged patriarch and former SS officer and Nazi war criminal Le Von Geisler who plans to make Yasmine the brood mare for a new Aryan master race.
Plot: A gang of young thieves flee Paris during the violent aftermath of a political election, only to hole up at an Inn run by neo-Nazis.
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|6.2/10 Votes: 26,258|
|6.1 Votes: 509 Popularity: 9.241|
Gloriously gory… but nothing new!
Frontier(s) is a French horror film written and directed by Xavier Gens, also responsible for the computer game inspired film, Hit-man. The film begins in Paris with a group of criminals involved in a heist. As they are carrying out their robbery something goes wrong and it descends into chaos leading to the group splitting up and arranging to meet in a hostel out in the sticks. Unbeknown to the criminals the hostel owners are neo-Nazi degenerates with a hidden agenda, part of this agenda being the mutilation, torture and murder of their new guests.
Ultimately I did not warm to this film as I found it to have too many problems. Coincidently the first of which occurs in the very first few scenes of the film. These opening shots utilize frantic camera-work interlaced with rapid editing that both confuses and disorientates the viewer. On a personal note I find this method of film-making to be unnecessary especially when executed so poorly. This technique is superfluous, MTV-inspired and amateurish and does nothing but cheapen the film. The over arching feeling of the opening few scenes is that of the director trying his best to hurry the viewer or rather speed up the narrative in order to get us the “meaty” part of the film. In general the direction of the film was mediocre with dingy and overly stylized scenes, the final reels being a fine example of this.
Once the “meaty” part of the film arrives we are treated to some gruesome acts of violence and horrific forms of mutilation, which to give it its due are a lot more impressive than the film Hostel. When viewing Frontiers horror fans will notice the vast array of influences/rip-offs from the previously mentioned Hostel to The Hills Have Eyes, The Descent, Wrong Turn, The Texas Chainsaw Massacre, House of a 1000 Corpses, Blair Witch etc etc! In fact it draws so heavily from other films a case for plagiarism could probably be made, some critics citing it as the ‘French Chainsaw Massacre’. Although it seems obvious to draw comparisons with Texas Chainsaw Massacre, Frontiers lacks the suspense of that film and the ingenuity of direction that was so wonderfully conveyed by Tobe Hooper. On the surface Frontiers appears to have been made by people that have seen a lot of horror films but have failed to grasp the concept of what makes them successful, something a lot of horror aficionados can do and probably would do if they were given the same resources. Frontiers fails to further the genre or create anything new, instead it offers the same old “been here, seen it”.
Essentially the film lacks identity and this is due to it feeling too much like a Hollywood film. Often fans of the genre turn to other countries for something new or fresh or for something that isn’t available in their own culture, but with Frontiers this isn’t offered. Being so Hollywood in its construction with its stylized death scenes and MTV School of directing it alludes to the possibility of a director that is using this film as a cleverly engineered stepping stone in his career, and given his next feature it seems to have paid off. Basically Frontiers is a film that shouldn’t have left the drawing board The redeeming features for Frontiers are its violence and gore content as it does contain some memorable death scenes – but even here I still feel it’s trying too hard to compete with the Saw franchise. There has been a market for this kind of violence with some referring to it as “Torture Porn” but perhaps mediocre films like Frontiers indicate that it’s nearing an end. This notion is further supported by the fact the film lacks any originality or intellect the fact it tenuously draws on recent French history and has a Sarkozy lookalike on TV doesn’t qualify as intellect.
Finally, the manner in which the film has been made hints at a director that is clearly full of his own ego and if this were the case it would help to explain the shaky camera-work in the opening scenes as maybe whilst filming he’s masturbating furiously at his deluded talent. I would recommend avoiding Frontiers if you like your horrors to be engaging but that maybe you’d enjoy it if you’re only after high levels of violence and gore – just fast forward the first few scenes.
A Good Variation of “The Texas Chainsaw Massacre” and “The Hill Have Eyes”
In Paris, during the riots due to the election of a conservative candidate to the presidency of France, the Muslin small thieves teenagers from the periphery Alex (Aurélien Wiik), Tom (David Saracino), Farid (Chems Dahmani), the pregnant Yasmine (Karina Testa) and her brother Sami (Adel Bencherif) plan to run away from Paris to Amsterdam with a bag full of robbed money. However, Sami is shot and the group split, with Alex and Yasmine going to the emergency of a hospital with Sami while Tom and Farid heads to the border with the money. Tom and Farid decide to stop in a bed and breakfast nearby the frontier, and are hosted by Gilberte (Estelle Lefébure) and Klaudia (Amélie Daure) that offer free room and sex to the newcomers. They call Alex and Yasmine that are fleeing from Paris to join them in the inn, but sooner they discover that their hosts are sadistic cannibals of a Nazi family leaded by the deranged patriarch and former SS officer Le Von Geisler (Jean-Pierre Jorris).
“Frontière(s)” is another brutal French horror movie and a good variation of “The Texas Chainsaw Massacre” and “The Hill Have Eyes”. As a fan of horror movies, I note that French directors are making extremely violent and gore movies, like “Haute Tension” and “À l’Intérieur” that I have recently seen. “Frontière(s)” presents the storyline that everybody knows, but associated to a good screenplay with many cruelties and tortures, great acting and realistic special effects and make-up. I believe that fans of the genre will not be disappointed with this film. My vote is seven.
Title (Brazil): “A Fronteira” (“The Border”)
Original Language fr
Runtime 1 hr 48 min (108 min)
Director Xavier Gens
Writer Xavier Gens
Actors Karina Testa, Aurélien Wiik, Patrick Ligardes
Country France, Switzerland
Awards 1 win & 6 nominations
Production Company N/A
Sound Mix Dolby Digital
Aspect Ratio 2.35 : 1
Camera Panavision Panaflex Millennium XL, Panavision Primo Lenses
Film Length N/A
Negative Format 35 mm
Cinematographic Process Super 35
Printed Film Format 35 mm (anamorphic)