#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – A retiring assassin, Henry Brogan, finds himself pursued by a mysterious killer that can predict his every move. Discovering that he’s being hunted by a younger clone of himself, Henry needs to find out why he’s being targeted and who the creator is.
Plot: Henry Brogan is an elite 51-year-old assassin who’s ready to call it quits after completing his 72nd job. His plans get turned upside down when he becomes the target of a mysterious operative who can seemingly predict his every move. To his horror, Brogan soon learns that the man who’s trying to kill him is a younger, faster, cloned version of himself.
Smart Tags: #clone #hitman #psychotronic_film #neo_noir #shootout #chase #motorcycle #sniper #assassin #survival #conspiracy #hotel #spa #airplane #boat #drone #villain #subjective_camera #character’s_point_of_view_camera_shot #gunfight #street_shootout
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A century ago, man was just getting started with movies – heck, we even had sound and colour to explore. ‘Gemini Man’ deserves to be acknowledged for its purposeful step towards discovering what potentially lies out there for the future of movies and the capacity of the technology. Sure, the film finished and Michael and I both agreed the plot was safe and it really does stick to the “boy runs, meets girl and keeps running“ framework – but if you want to see it for more than that, at least respect it’s go-getter exploration of a new digital world.
– Lily Meek
Read Lily’s full article…
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Usually, I leave the technical aspects to the end of my reviews since story, characters, and the critical element of each genre (action in action flicks, comedy in comedies, and so on) are way more important. However, having in mind the whole marketing campaign surrounding Gemini Man’s “groundbreaking innovations”, I’ll address them now. Even after sleeping on it, my experience in high frame rate still feels very … weird. In case you need some explaining, HFR adds a lot more detail to the image since it captures more frames per second hence making the image smoother, which can be extremely distracting. I always disable motion smoothing on my TV since I hate that feeling of knowing that “something’s not right”.
It doesn’t have to do with speed, which is something people are going to wrongly state regarding this film. The action isn’t faster, don’t make the mistake of saying this. Since there’s 2.5x more detail (24 FPS is the standard frame rate), movements become easier to follow, so there’s the illusion of watching something faster than normal. Truth is, it just FEELS like it. When characters are just talking, and there’s no action involved, it works because it simply looks better. However, the action sequences are very hit-and-miss. Some pieces look absolutely amazing, but it’s clear this technology needs a few more years of experience to reach its full potential.
Scenes featuring car/motorbike chases, running, or shootings are stunningly filmed, but any hand-to-hand combat is frustratingly off-putting. Additionally, Ang Lee applies an excessive use of CGI to a lot of these moments, which makes some fights look incredibly absurd. HFR is not the only technical attribute people are going to discuss. That young version of Will Smith … Honestly, it doesn’t really work for me. People who complained about The Lion King (2019) not being able to show animals emoting will surely hate this attempt of replicating a young Will Smith (if they don’t, then Joker was right, society is indeed extremely hypocritical).
It’s just like the action sequences with HFR: hit-and-miss. There are some genuinely mind-blowing scenes with medium shots of young Will Smith, and he looks 99.9% real. In these specific shots, it’s impossible to tell the difference between the clone and a real version. However, it still fails to deliver this realism throughout the entire runtime. First of all, young Henry barely shows any emotions (except a brilliant crying moment), which is obviously meant to facilitate the VFX team’s work. But even with his face completely still and empty of emotions, the eyes just look too doll-like. The eyebrows move strangely, and the forehead seems odd.
In the end, it all comes down to forgetting that it’s a digital character and that almost never happens. I always felt like I was watching a blend of CGI, motion-capture, and whatever other technology they used to try to pull this off. In a few years from now, if Gemini Man gets a remake or some other movie tries to do something similar, I bet it will look near-perfect. Right now, it’s more of a disturbance than an achievement. Put this together with the already not-that-good HFR, and we get a visually striking yet distracting film.
And if you thought the story would save it… It’s pretty bad. Generic, predictable, and filled with almost offensive exposition. I would have to go through my reviews, but this is definitely one of the most exposition-heavy screenplays of the year. I lost count of the number of times a character starts ranting with the purpose of explaining something evident to another character. The worst thing a screenplay can do is treat the audience like they are 5-year-old children. The whole plot revolves around people asking someone else what happened, what’s happening, and what’s next. We already know from the trailer Will Smith is being hunted by a young version of himself, a clone.
Try to imagine how many ways you can tell someone there’s an individual exactly like that person. Now, just lazily insert all of those sentences on a character’s script and make it say them in a single scene. I’m sorry, but it’s laughably bad. There are no surprises! It ends abruptly, utterly disregarding the only interesting plot point (still very predictable), by not developing it any further than one sequence. If it wasn’t for the truly fantastic cast (Will Smith is always impeccable, Mary Elizabeth Winstead and Benedict Wong deliver great performances), Gemini Man would easily be one of the absolute worst movies of the year. Shoutout to Lorne Balfe’s score, which is by far the technical aspect worthy of only compliments.
All in all, Ang Lee’s attempt to deliver a groundbreaking film doesn’t quite hit the mark. Honestly, it’s still far from it. The 60 FPS HFR and the young version of Will Smith are occasionally jaw-dropping, but both technical aspects need years of improvement to be able to work seamlessly. As of now, these only serve as a frustrating distraction. However, the biggest problem with Gemini Man is its exposition-heavy screenplay, which besides treating the audience like dumb people, doesn’t carry any sort of surprise or novelty. As generic and predictable as it could be. The unbelievably talented cast, a spectacular score from Lorne Balfe, and a few notable action sequences save this technological hit-and-miss from missing its target entirely.
Style over Substance.
This film will be most notable for it’s innovative achievements in the effects realm. Although, the scriptwriting/story in contrast to the effects were a little lacklustre.
I appreciate the effort with the involvement of Ang Lee and, of course Will Smith, but I was left wanting.
An undemanding romp
Government assassin Henry is looking to retire. Black ops freelance boos Clay Verris has other ideas, and Henry is soon on the run from an assassin who is as good as he is. Because it’s him. Or, rather, his clone, 28 years younger.
Excuse the spoiler, but it’s not really a spoiler as the trailer reveals it.
This is a fairly routine chase thriller with some pleasing bits. The action is OK if unexceptional. Smith plays 51 year old Henry and, with the help of digital de-ageing, 23 year old Junior, and I award credit for making the two different versions of the same person distinctly different people. And I spent some time thinking that the 20-something leading lady reminded me of Mary Elizabeth Winstead, only to discover that it was her! At 35, she didn’t need de-ageing software.
This is a by-the-numbers romp with an interesting wrinkle. But check your brain at the door!
Original Language en
Runtime 1 hr 57 min (117 min)
Genre Action, Drama, Sci-Fi
Director Ang Lee
Writer David Benioff, Billy Ray, Darren Lemke
Actors Will Smith, Mary Elizabeth Winstead, Clive Owen
Country China, United States
Awards 1 win & 6 nominations
Production Company N/A
Sound Mix Dolby Atmos, Dolby Surround 7.1
Aspect Ratio 1.85 : 1, 1.85 : 1 with ScreenX
Camera Arri Alexa SXT-M, Leitz Summicron-C and Summilux-C Lenses, Phantom Flex4K, Leica Summicron-C and Summilux-C Lenses
Laboratory Final Frame (digital intermediate)
Film Length N/A
Negative Format CineMag, Codex, HDCAM
Cinematographic Process ARRIRAW (3.2K/120) (source format) (dual-strip 3-D), Digital Intermediate (4K) (master format), Dolby Vision, HDCAM (4K/120) (source format) (dual-strip 3-D), Phantom RAW (4K/120) (source format) (high-speed shots)
Printed Film Format D-Cinema (also 3-D version) (also 60 fps) (also 120 fps)