#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Growing up can be a bumpy road, and it’s no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions – Joy, Fear, Anger, Disgust and Sadness. The emotions live in Headquarters, the control center inside Riley’s mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Although Joy, Riley’s main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school.
Plot: Growing up can be a bumpy road, and it’s no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Riley’s guiding emotions— Joy, Fear, Anger, Disgust and Sadness—live in Headquarters, the control centre inside Riley’s mind, where they help advise her through everyday life and tries to keep things positive, but the emotions conflict on how best to navigate a new city, house and school.
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Another great movie from Pixar. The story in entangling and is structured in a master way to show us in a nice recreation how the mind works and emotions like sadness are important for a healthy life.
A must to be seen.
A powerfully moving story, Inside Out takes place inside the mind of a young girl, Riley, as she tackles relatively normal hassles, from growing up to moving away. Inside her mind comes five emotions, all with different perceptions of life.
There’s Joy, who takes charge and her job is to keep Riley content, Sadness, Anger, Fear, and Disgust, and together, they work together (or try) to keep Riley from harming herself. They live together in the headquarters, or Riley’s head, and they look after Riley’s memories.
After eleven years of enjoyment and content, Riley and her parents are forced to move out of Minnesota, away from her friends and hockey team, and moves to the city of San Francisco inside a desolate and cold house.
But things get even more anarchic when Joy and Sadness are sundered away from the rest of the gang, holding onto Riley’s core memories that make Riley, well, Riley. One by one, the islands of personality fall apart as the rest of the gang back in headquarters watch in dismay and anguish. After all, Joy is not there to keep things under control.
Inside Out truly contemplates the hardships of growing up, but every problem comes to a heart-wrenching solution. The movie truly captivates this and continues the Pixar tradition of inspiration, family, and friendship in a little bit under two hours. Watch this, you must.
Tears of Joy
Before I start, I will say this; I’m writing this after coming back from a second viewing of Inside Out. Both viewings were out of choice. That’s not a unique thing, but I very rarely watch films more than once at the cinema, mainly because life is short, or rather, life is too quick for me. But there’s two main reasons why people watch some films more than once at the cinema, especially where I come from; either the film was interesting, detailed, or multi-layered and needs to be seen again to sink in properly, or, it was really, really good.
In this case, for me, it’s the latter. That’s not to say that the film isn’t interesting, detailed or multi-layered, but the reason that was repeating in my head to see it again was ‘it’s really, really good.’ But is it? Yes, yes of course it is… Speaking with a bunch of friends with whom I saw it the first time, a risky phrase was unanimously agreed upon, which was that we ‘trust the Pixar team to do the right thing.’ Needless (totally needless) to say that expectations were high, and frankly, they were surpassed.
Even though the film is what we come to expect from Pixar (the universal moral themes, the perfect balance between comedy and sadness, and visually stunning animation and action sequences), I didn’t feel that I had seen it all before, and neither was it repetitive nor ‘ordinary’. The film hits all the high notes, with perfect intonation, and with discipline and passion. As touched on before, the balance between humour and sadness is strong and impressive; the amount of emotions that the film displays and takes us through is varied and immersive, yet not overwhelming. The film executes such clever ideas with simplicity and ease, leaving us to feel for the characters rather than worry about the ‘science’ of it all, or even being worried about ‘not getting it’.
The animation is constantly eye-drawing and detailed; the characters’ glistening skin is particularly wondrous. And what great characters they are. Riley is brilliantly sympathetic throughout, even with her difficult mood swings, and the supporting characters are perfectly entertaining. One might think that the superficial nature of the characters (Anger is angry, Fear is always scared etc.) would become old quickly, however the fun never diminishes, thanks to a witty script, expressive animation, and very strong voice performances from the entire cast.
However, to top all this off, the real gem comes from the character of Joy, surely a strong contender in the list of Pixar’s greatest characters. Even though we are inside the head of Riley for the majority of the film, and the events that drive the movie are essentially her reactions to her new world (moving from Minnesota to San Francisco), the story is Joy’s. Being probably the most flawed character in the film (paradoxically, maybe), it’s her journey we care about the most, and she ends up being the most in-depth character in the film, occasionally questioning her actions in the first half (well, the cynics will be), and becoming the most sympathetic by the end. Amy Poehler’s outstanding performance makes Joy simultaneously the strongest and weakest character in the film (emotionally, that is).
After all of this, the freshness of the ideas, the simplified neuroscience, the technical brilliance (saying that, Giacchino’s score is probably the most subtle thing in the film, exquisitely putting the finishing touches on the most emotional scenes), fleshed out characters and universal themes, all of this comes together simply to entertain us, to let us escape, and to release us emotionally, which it does by making us laugh and cry in an even and fair manner.
And you will laugh. And you will cry. And it is fun to do so. Thank god we’re living in a time when Pixar is making these films.
In your head
Pixar makes a cartoon about depression and it is aimed at kids.
Riley is a happy 11 year old girl whose parents have moved from Minnesota to San Francisco. Being apart from her friends and her hockey team has upset the balance of her her core memories and five emotions of Joy (Amy Poehler), Sadness (Phyllis Smith), Fear (Bill Hader), Anger (Lewis Black) and Disgust (Mindy Kaling.) Joy is the main controlling factor in Riley’s life.
It is Sadness though that threatens to unbalance Riley and in the turmoil the two emotions of Joy and Sadness get moved to her Long Term Memory compartment. This leaves Fear, Disgust, and Anger in charge of her brain, the Headquarter and they do not know how to control Riley now she is in her new school in the big city. Riley gets moody withdrawn and sad. Her parents worry that their sweet little child has gone.
Joy and Sadness need to find a way back to the Headquarter before permanent damage is done to Riley and they do this with the of a childhood imaginary friend Bing Bong (Richard Kind.)
This is a multi layered story shown in a colourful and frenetic way. Kids would enjoy that side of it. However Inside Out is also a bittersweet film. While I appreciated the cerebral subtext of the film, as a feature length cartoon the story did feel clunky at times.
Original Language en
Runtime 1 hr 35 min (95 min)
Genre Animation, Adventure, Comedy
Director Pete Docter, Ronnie Del Carmen
Writer Pete Docter, Ronnie Del Carmen, Meg LeFauve
Actors Amy Poehler, Bill Hader, Lewis Black
Country United States
Awards Won 1 Oscar. 100 wins & 116 nominations total
Production Company N/A
Sound Mix Dolby Digital, Datasat, Dolby Atmos, SDDS, Dolby Surround 7.1, Auro 11.1
Aspect Ratio 1.85 : 1
Laboratory FotoKem Laboratory, Burbank (CA), USA (prints)
Film Length 2,613 m (5 reels)
Negative Format Digital
Cinematographic Process Digital 3-D (source format), Digital Intermediate (2K) (master format), Dolby Vision
Printed Film Format 35 mm (spherical) (Kodak Vision 2383), D-Cinema (also 3-D version)