#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – In the summer of 1975 in a neighborhood in Boston, three kids, Dave Boyle and two of his friends, Jimmy Markum and Sean Devine, are playing on the sidewalk when Dave gets abducted by two men and endures several days of sexual abuse. Eventually, Dave escapes traumatized throughout adulthood. Jimmy is an ex-con and a father of three, whose daughter Katie, is found dead, and Dave becomes the number one suspect. Sean is a homicide detective, investigating Katie’s murder, ends up finding himself faced with past and present demons as more is uncovered about Katie’s murder. Learning Katie had a boyfriend, ballistics later turn up a gun belonging to the father, which then puts her boyfriend as the suspect. Will Sean find out who killed Katie? Will Jimmy make it through the investigation? And will Dave ever find out what really happened when he was abducted?
Plot: The lives of three men who were childhood friends are shattered when one of them has a family tragedy.
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|7.9/10 Votes: 438,191|
|7.7 Votes: 4883 Popularity: 20.158|
Mystic River continuously outflows its poignant crime investigation through a meticulously gritty screenplay. The past haunts us. Experiences and encounters, grossly susceptible and an impressionably young age, returning viciously with psychological detriments. A naive boy that just didn’t know any better. Abducted. An unresolved mystery that manifested itself into an intricately societal Massachusetts neighbourhood, where one disturbance can erupt into a multitude of hatred from the cold concrete beneath them.
A father’s daughter mercilessly murdered in the streets that he, and his two ex-friends, played hockey in. Anguish. Guilt. Vengeance. His childhood pals, one assigned the task of searching for the killer and the other forced into battling his own justifications for not murdering her, sending their condolences to the grieving father. Yet, Mystic River refuses to tell a simple crime drama. Eastwood, with his insatiably concise attention to the screenplay, elevated the mystery by providing an illustration of emotive complexity. One that many inflict upon themselves. Torment. These three individuals, with one visibly undergoing traumatic bewilderment, exhume indications of self-torment.
Mystic River does not flow water. The elaborate dialogue is too viscous for the aqueous substance. Rather, it flows blood. Bacon’s detective role combating his duties as a justice seeker, that with the liabilities of adolescent friendship. Determining the fate of neighbours within his hands. Robbins’ psychologically damaged husband role, fabricating stories to protect his moral high ground. And Penn’s award-winning performance as the father, embroiled in a plethora of intense emotions that express the full journey of bereavement. As separate souls, these three give life to Helgeland’s script that, whilst frequently becomes overwrought with unnecessary conversations that repeat earlier information, undeniably captivates with its foundational strength in investigation building.
Eastwood takes a differing approach. Instead of the classic yet saturated “who dunnit!?” narrative structure, he settled for displaying the mechanisms of detective fieldwork. Composing a timeline but questioning witnesses and suspects. Revisiting evidence to accurately imagine the murder as it happened. See, Mystic River works not for its “twists” and “turns” so to speak, but for its richly developed characters and constant focus on the investigation itself. The sensational performances, acute direction and gritty aesthetics provide the script with leverage. It exposes the rawness of the situation beautifully. Not to mention the exquisite pacing that made two and half hours flow by quicker than a hockey stick crashing down a raging waterfall.
The conclusion should’ve been tighter, with Eastwood diminishing much of the staying power by unnecessarily extending its resolution. By simply ending on Jimmy and Sean coming to terms with what’s just happened, it enables the shock of its ending to simmer much more violently than Linney exclaiming how everyone else is weak compared to her and her husband.
So whilst not perfect, Eastwood adapts Lehane’s novel with a sense of emotional urgency. Once the grit settles in, it never lets up, taking you on a roaring ride down a river of torment.
***Evils of the past and the problems with vigilante justice***
Released in 2003 and directed by Clint Eastwood, “Mystic River” tells the story of three men from a working class neighborhood in Boston. While playing in the street as kids, one of them is abducted and sexually abused for days. As adults they’ve drifted apart. Jimmy (Sean Penn) is a reformed con who runs a successful market when his daughter is suddenly murdered (Emmy Rossum). Sean (Kevin Bacon) investigates the murder with his partner, Whitey (Laurence Fishburne), with evidence eventually pointing toward Dave (Timothy Bottoms), the one who was abducted. Marcia Gay Harden plays Dave’s anxious spouse while Laura Linney plays Jimmy’s loyal wife.
This is similar in tone & theme to the melancholy “Sleepers” (1996), but less episodic and more dramatically gripping. The movie has the confidence to take its time and flesh-out the characters. It’s a psychological crime drama that works as both a whodunit and a tragedy. The intrinsic problems of vigilante justice are cogently illustrated.
Some people have misinterpreted the movie because they missed some things. For instance, they criticize the curious Lady Macbeth-like monologue of Annabeth (Linney) at the end. But watch the movie again, pay close attention, and the answers are there. I’d say more, but I don’t want to give anything away (you’re welcome to write me if you’d like some insights).
“Mystic River” is not something that can be casually watched; it’s a deep drama with three-dimensional characters, potently exploring several intriguing issues: How abuses of the past affect the present; the danger of hiding recesses of your psyche; the folly of not getting spiritual help for deep-rooted psychological concerns; disloyalty/loyalty; doing the wrong thing for the right reasons; jumping to wrong conclusions based on dubious info; houses divided cannot stand; the importance of encouraging one’s spouse for the sake of familial health & survival; “king of the castle”; etc.
The film runs 2 hours, 18 minutes and was shot in Boston.
A Tragic Story of the Loss of the Youth in a Contemporary Classic
Twenty years ago, the boys Jimmy Markun, Sean Devine and Dave Boyle are neighbors and pals, playing hockey on the street. One day, Dave is kidnapped by two men, being sexually abused, but escapes from them four days later. In the present days, each one of them followed one way in their lives: Jimmy (Sean Penn) is married with Annabeth Markum (Laura Linney), has three daughters and has a small business. Sean (Kevin Bacon) is a detective, and his pregnant wife left him six months ago. His colleague is the detective Whitey Powers (Laurence Fishburne). And Dave (Tim Robbins) is a traumatized man, married with Celeste Boyle (Marcia Gay Harden) and having a young son. When the nineteen years old daughter of Jimmy, Katie Markum (Emmy Rossum), is found dead in the neighborhood, the three friends in childhood meet each other again, in the investigation of the murder. A tragic event happens in the conclusion of this investigation. This movie is excellent. Yesterday, I saw it on DVD and I was impressed with the direction of Clint Eastwood and the performance of the cast. It is almost impossible to highlight one actor or actress, but I was stunned with the performance of Sean Penn. It is a film based on the acting, and not on special effects, shootings or race of cars. I was very impressed, since the tragic story of the loss of the youth is very real, full of human flaws, disturbances, prejudice and judgements. The destiny of this movie in the future may be to be considered a contemporary classic. My vote is nine.
Title (Brazil): `Sobre Meninos e Lobos’ (`About Boys and Wolves’)
When Bad Things Happen to Bad People
Director Clint Eastwood’s “Mystic River” is a well-performed, but ugly and disturbing film. When it opens, the characters who grow up to be Sean Penn (as Jimmy Markum), Tim Robbins (as Dave Boyle), and Kevin Bacon (as Sean Devine) are pre-teenage boys. Young “Dave” is abducted, after the three play hockey on a Massachusetts street. First of all, the actors playing young “Jimmy” (Jason Kelly) and “Sean” (Connor Paolo) seem to be reversed; possibly, this is because Mr. Bacon’s character’s name is also Mr. Penn’s first name? Secondly, the confusing abduction is of a sexual nature; later, when the story temporarily becomes an intriguing drama, this is clarified. By the third act, the film has fallen apart.
****** Mystic River (2003) Clint Eastwood ~ Sean Penn, Tim Robbins, Kevin Bacon
Original Language en
Runtime 2 hr 18 min (138 min)
Genre Crime, Drama, Mystery
Director Clint Eastwood
Writer Brian Helgeland, Dennis Lehane
Actors Sean Penn, Tim Robbins, Kevin Bacon
Country United States, Australia
Awards Won 2 Oscars. 56 wins & 144 nominations total
Production Company N/A
Sound Mix DTS, Dolby Digital, SDDS
Aspect Ratio 2.39 : 1
Camera Panavision Panaflex Millennium XL, Panavision C-Series Lenses, Panavision Panaflex Platinum, Panavision E-Series Lenses
Laboratory Technicolor, Hollywood (CA), USA (color) (prints)
Film Length 3,763 m (Sweden)
Negative Format 35 mm (Kodak Vision 250D 5246, Vision 500T 5279)
Cinematographic Process Panavision (anamorphic)
Printed Film Format 35 mm (Kodak Vision 2383)