#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Ben Stiller returns as night watchman Larry Daily, now a successful business man, who gets back to the museum just in time to find that he needs to get his friends out of trouble. This new installment takes us to the Smithsonian, and introduces us to new characters, such as Amelia Earhart, General Custer, and many more!
Plot: Hapless museum night watchman Larry Daley must help his living, breathing exhibit friends out of a pickle now that they’ve been transferred to the archives at the Smithsonian Institution. Larry’s (mis)adventures this time include close encounters with Amelia Earhart, Abe Lincoln and Ivan the Terrible.
Smart Tags: #al_capone_character #darth_vader_character #theodore_roosevelt_character #abraham_lincoln_character #albert_einstein_character #jedediah_smith_character #octavius_caesar_character #bust_sculpture #blackberry #apple_computer #repeat_sequel #amelia_earhart_character #ivan_the_terrible_character #napoleon_bonaparte_character #george_armstrong_custer_character #attila_the_hun_character #orville_wright_character #oscar_the_grouch_character #attila #attila_the_hun #lincoln_memorial
|6.0/10 Votes: 186,059|
|6.1 Votes: 5590 Popularity: 47.929|
Night at the Museum: Battle of the Underdeveloped Plot and Characters
There’s an old saying in Hebrew that claims that if you try and catch as much as you can, you’ll end up having nothing at all. After viewing Night at the Museum: Battle of the Smithsonian, I can sadly say that the same can be said when regarding this lesser sequel to the 2006 smash hit.
Even though most film critics despised the original movie, the first Night at the Museum was actually one of my favorite films of that year. For me, the film worked on two levels. First, by waking the inner-child in all of us and making us feel the magic Ben Stiller’s character Larry experiences once the exhibits in his museum come to life in all their glory in front of him. Second, by telling a very straight-out and heart warming coming of age story of a grown-up divorced man who has to take control of his life and get his act together (with the museum working more as a metaphor of sorts). I also related to the additional educational values the film had to offer, another theme I felt received a lesser emphasis in the sequel.
In the second installment of the Night of the Museum series, much of the initial magic is already lost from the get-go. We already know the artifacts come to life and how, and the general feeling of suspense is gone. To make things worse, the whole story feels convoluted and unreal. We’re expected to believe that Larry has turned from a no-good night guard at the museum in the first film to this mega-successful businessman in the second installment during the course of only a few years (and after being a virtual nobody for the vast majority of his life). I mean come on, Hollywood – Where did the charming loser from the first film go so quickly? Stiller’s Larry is hardly likable at the beginning, and once he learns that his lovable exhibits/friends are moving to the Smithsonian museum (after the Museum of Natural History closed for technological renovation) things start happening so fast, that his motives for leaving his comfortable job to help rescue his friends are left undeveloped and unconvincing.
The main course of this sequel is of course the special effects created by the two museum’s re-animated exhibits, with the evil Egyptian Kamunrah (The Simpson’s Hank Azaria) acting as the main villain who operates the evil Smithsonian exhibits who strive for world domination yadda yadda yadda. Some effects are cute (Al Capone’s gangsters brought back to life in black and white, the heroes entering an old painting, the Lincoln memorial rising from his chair, amongst others) and some are once again undeveloped and underused. At times, it seems so much is happening on the screen, that you don’t really know where to look or who to concentrate on. Many returning characters from the first film are outrageously underused (including Robin Williams’ Teddy Roosevelt and Owen Wilson’s Jedediah) and many comedians who are brought specifically for the film contribute blink-and-you-miss-it performances, including Ricky Gervais and Jonah Hill). The only true contribution for the film is the lovely Amy Adams (Enchanted), who portrays a fluffy re-animated Amelia Earhart who seems more lost than ever.
To sum things up, I’d say that Night at the Museum: Battle of the Smithsonian may have been cute at times, but it was mostly useless, as it really didn’t add any significant notion to the elements presented in its predecessor. While that film felt like an instant classic to me, this one felt more like a quick money-grab with a lot of missed potential.
A good family film, more fun then the first!
Well, it’s been 3 years since we had the comedy hit Night at the Museum, naturally they went for a sequel to either make more money or spill the story for what it’s worth. Eh, I pick all of thee above. But surprisingly Night at the Museum: Battle of the Smithsonian was actually a lot better then I had expected, in fact, I think I enjoyed it much more then the first Night at the Museum. Now the first Night at the Museum movie was alright, it didn’t really thrill me, Ben Stiller is praised so much as a comedic actor but I’ve only found him funny in Zoolander. But when it comes to movies like Meet the Parents, There’s Something About Mary and Night at the Museum, it’s usually the supporting cast that carries the movie and he seems just like the same character in every movie. Once again the supporting cast saves this movie and makes it a great family film.
Larry Daley is now head of Daley Devices, a company he founded to manufacture his inventions. These inventions, including the Glow-in-the-Dark Flashlight, were created from his experiences as a former night guard. He finds that the American Museum of Natural History is closed for upgrades and renovations, and the museum pieces are moving to the Federal Archives at the Smithsonian Institution in Washington DC. On the last night, Larry meets the museum pieces such as Teddy Roosevelt, Rexy the T Rex Skeleton, and Dexter the Monkey and finds out that several exhibits, including Teddy, Rexy, the Easter Island Head, and Ahkmenrah are not moving to The Smithsonian Institution, the other exhibits will no longer be animated. The next night, Larry gets a call from Jedediah, saying that Dexter stole the tablet, and that Kahmunrah, Ahkmenrah’s older brother, is attacking them. Larry takes a plane to Washington and visits the National Air and Space Museum, the National Gallery of Art and the Smithsonian Castle to find the Federal Archives.
Over all Night at the Museum: Battle of the Smithsonian is worth the recommendation, I’d say a matinée if you want to see it with the family. Hank Azaria puts a bit of a strange personality for Kahmunrah, but he provides quite a few good laughs. Along with Owen Wilson and Steve Coogan who are back as the cowboy and the roman soldier, great chemistry right there. They have this scene that nearly killed me in laughter, since they’re so small they go 300 style in trying to stab all the bad guy’s feet, great style and homage to the war films. Amy Adams pulls in a great performance that I feel is going to be over looked as Amelia Earhart, she has that old school Hollywood look to her and personality that was a perfect choice. There are some great moments in this sequel but there are some really silly one’s as well, so over all I’d say it’s worth the look, it’s a good family film, but again nothing too memorable.
Original Language en
Runtime 1 hr 45 min (105 min)
Genre Adventure, Comedy, Family
Director Shawn Levy
Writer Robert Ben Garant, Thomas Lennon
Actors Ben Stiller, Owen Wilson, Amy Adams
Country United States, Canada
Awards 2 wins & 9 nominations
Production Company N/A
Sound Mix Dolby, DTS, SDDS
Aspect Ratio 2.39 : 1
Camera Arriflex 435, Panavision Primo Lenses, Panavision Panaflex Millennium XL, Panavision Primo Lenses, Panavision Panaflex Platinum, Panavision Primo Lenses, Red One Camera (visual effects plates)
Laboratory Technicolor, New York (NY), USA, Technicolor, Vancouver, Canada
Film Length 2,858 m (Sweden), 2,879 m (Portugal, 35 mm)
Negative Format 35 mm (Kodak Vision2 200T 5217, Vision2 Expression 500T 5229), Redcode RAW
Cinematographic Process Digital Intermediate (2K) (master format), Redcode RAW (4K) (source format), Super 35 (source format)
Printed Film Format 35 mm (anamorphic) (Kodak Vision Premier 2393), 70 mm (horizontal) (IMAX DMR blow-up) (Kodak Vision Premier 2393), D-Cinema