#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Set in the treacherous frontier city of Samurai Town where a ruthless bank robber is sprung from jail by wealthy warlord The Governor, whose adopted granddaughter Bernice has gone missing. The Governor offers the prisoner his freedom in exchange for retrieving the runaway. Strapped into a leather suit that will self-destruct within three days, the bandit sets off on a journey to find the young woman and his own path to redemption.
Plot: In the treacherous frontier city of Samurai Town, a ruthless bank robber is sprung from jail by wealthy warlord The Governor, whose adopted granddaughter Bernice has gone missing. The Governor offers the prisoner his freedom in exchange for retrieving the runaway. Strapped into a leather suit that will self-destruct within five days, the bandit sets off on a journey to find the young woman—and his own path to redemption.
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The problem with _Prisoners of the Ghostland_ is that Nicolas Cage himself tried to promote it as the craziest film he’s ever made, but the film never lives up to the insane concept of having a bomb strapped to your nutsack. The film forcefully shoves Mad Max influences into a Japanese theme with nuclear deformed samurai ghosts, bouncing gumballs, animal masks, pinwheels, and bubbles, and Nicolas Cage threatening to karate chop everyone into oblivion. All of this absurdity sounds like it should be way more memorable than it actually ends up being. _Prisoners of the Ghostland_ is a massive letdown that implodes under its own lackluster outrageousness.
**Full review:** https://hubpages.com/entertainment/Prisoners-of-the-Ghostland-2021-Review-An-Oddball-Samurai-Infused-Jambalaya
There’s an unspoken rule of kick-ass cinema that goes something like this: if Nic Cage is attracted to a project, it’s guaranteed to at least be more interesting than most, if not all-out bonkers. Such is the case with “Prisoners of the Ghostland,” an outrageous achievement in gonzo filmmaking from director Sion Sono. The film doesn’t have a very complicated plot and a lot of it makes no sense, but this is a badass-looking showpiece of cult cinema.
A bank robber (Nicolas Cage) is sprung from jail by the Governor (Bill Moseley) and is given a task that he can’t refuse. In exchange for his freedom, the convict must find and rescue the Governor’s missing granddaughter, Bernice (Sofia Boutella). The unlikely hero is sent into the barren, hazardous area known as the Ghostland, outfitted with a leather suit that is set to explode if things don’t go as planned (spoiler alert: they don’t). His journey takes him on a wild adventure that’s filled with gunslingers, samurai, and the radioactive residents of a post-apocalyptic wasteland.
The film isn’t burdened with genre conventions and as a result, his film has an original vision that plays like Mad Max kabuki theater. From nightmarish visuals to elaborate costumes, this blend of East meets West is a choreographed symphony of strange from start to finish. It’s a ridiculously good looking movie, with brightly colored hues and stunning cinematography. It’s a real feast for the eyes.
There’s a specific audience for this movie, and you can probably sense if you’re in that group or not. Bottom line: if you love seeing Nicolas Cage doing outrageously Cage-y things, then “Prisoners of the Ghostland” should be on your must-see list.
Only for Nicolas Cage
If you want to spend some time with a 2021 Nicolas Cage vehicle, please check out “Pig,” which despite that odd title is actually one of the best films of the year and serves as reminder of how great Cage can be with the right material.
Despite the director’s ambitious vision, there is simply so much that feels reminiscent of the Mad Max franchise. I really wanted to love this film, but I didn’t. If you’re a Cage fan, Prisoners of the Ghostland is worth a look.
Original Language en
Runtime 1 hr 43 min (103 min)
Genre Action, Horror, Sci-Fi
Director Sion Sono
Writer Aaron Hendry, Reza Sixo Safai
Actors Nicolas Cage, Sofia Boutella, Nick Cassavetes
Country United States, Japan
Production Company N/A
Sound Mix Dolby Digital
Aspect Ratio 2.35 : 1
Camera Arri Alexa Mini, Zeiss Ultra Prime Lenses, Arri Alexa SXT Plus, Zeiss Ultra Prime Lenses
Laboratory FixaFilm, Warsaw, Poland (digital intermediate)
Film Length N/A
Negative Format Codex
Cinematographic Process ARRIRAW (3.4K) (source format), Digital Intermediate (2K) (master format)
Printed Film Format D-Cinema