#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Jigsaw and his apprentice Amanda are dead. Now, upon the news of Detective Kerry’s murder, two seasoned FBI profilers, Agent Strahm and Agent Perez, arrive in the terrified community to assist the veteran Detective Hoffman in sifting through Jigsaw’s latest grisly remains and piecing together the puzzle. However, when SWAT Commander Rigg is abducted and thrust into a game, the last officer untouched by Jigsaw has but ninety minutes to overcome a series of demented traps and save an old friend or face the deadly consequences.
Plot: Jigsaw and his apprentice Amanda are dead. Now, upon the news of Detective Kerry’s murder, two seasoned FBI profilers, Agent Strahm and Agent Perez, arrive in the terrified community to assist the veteran Detective Hoffman in sifting through Jigsaw’s latest grisly remains and piecing together the puzzle. However, when SWAT Commander Rigg is abducted and thrust into a game, the last officer untouched by Jigsaw has but ninety minutes to overcome a series of demented traps and save an old friend…or face the deadly consequences.
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The ultimate in modern horror…
It’s a rare occurrence, but get ready to see this more then once. Saw 4 plays more like a detective story lifted from a page of a who-dun-it novel. This time, we delve deeper into John’s past, his ex-wife, and the real secrets about what made him Jigsaw. During his autopsy, it’s reveled his stomach contains an audio tape. The tape warns that his work will continue.
It seems that die-hard fans don’t wish to know about what’s in the story, since I had to re-edit my comment so that none of the story would be revealed (except that which you see in the ads anyway). In my previous comment, I said nothing about the ending, yet just giving away some of the plot is enough of a no-no. I don’t blame them, since this 4th outing has too many elements that make it easier to predict what’s going to happen. Regardless, you’d have to be some kind of rare genius to figure out what will happen in the end.
The series has flowed like a smooth, well-oiled Rube Goldberg machine. It’s the most complex of the bunch, in some ways, outdoing the previous ones. I repeat: it begs to be watched again. Just when you thought that the previous Saw Traps had done everything they can to a human body, this one has some clever ones of it’s own (not as gruesome as Saw 3, though). The autopsy scene is set to the extreme; the MPAA stating that most viewers have now gotten used to seeing programs like CSI and other medical procedures, so they let this slide easier.
Deceptive, dark, very edgy and well written, the Saw series can easily end here. It’s almost necessary to have watched the previous Saws, but can stand on it’s own as one of the best of the chapters. Of course, it leaves it open for yet another in the series, which will be in production soon. I don’t know when I will tire of the series, but honestly, I can’t wait to see what other delicious traps they cook up next.
Play it Again, Saw …
These “Saw” sequels reproduce quicker and more merciless than a couple of rats! With each next visit to your local video store, there’s a new “Saw” movie on the shelves and for some reason you feel the need to blindly purchase them although you know it’s going to be a bunch of nonsense. This fourth entry in the series should have been titled “The Legacy of Jigsaw”, as John Kramer is undoubtedly dead but his sick and sadistic torture-porn games continue. With each new entry, the character of the Jigsaw Killer also proves to be more intelligent and undefeatable. Here we have a guy with an intellect and general knowledge so immeasurable that he easily could have developed a cure for his own terminal cancer, but instead he wasted his time making the lives of ungrateful people pure hell and subjecting them to complex physical ordeals and puzzles they can’t possibly solve. Now he’s finally and irreversibly dead unless he’s strong enough to survive an autopsy but the dissection of his corpse results in the discovery of a recorded tape in his intestines. The whole bloody race against time starts over, as the tape reveals that several more people are facing horrible upcoming deaths in Jigsaw’s previously prepared traps. SWAT commander Rigg is put to a test challenging his obsession to save people, there appears to be another Jigsaw accomplice at large on the streets (other than the equally deceased Amanda) and the script draws a portrait of John Kramer’s ex fiancée and the unborn child they lost together. Like all parts in the Saw franchise directed by Darren Lynn Bousman, number four is an incredibly incoherent miscellany of semi-processed ideas and derivative themes. The writers have one major advantage here: the target audiences for this type of film simply crave for loads of blood and sickening set-pieces, so this provides them with extra space to camouflage inexplicable twists and completely screw up logical thinking patterns. The script is full of holes, far-fetched absurdities and plain stupidities. How could Jigsaw punctually predict his new victims’ moves and reactions or even be aware of the sinister facts of police investigators that were charged with the case AFTER his death? The biggest omission is an acceptable explanation regarding the personality and motivation of Jigsaw’s new accomplice, but I suppose this was done to lure the fans to cinemas for Saw 5, 6, 7 and God knows how many more sequels. The gore and bloodshed is adequate, I suppose, but it’s no longer shocking or involving since none of the characters are likable and/or properly introduced. The nightmarish atmosphere of the original Saw written and directed by James Wan has entirely vanished and the franchise simply revolves on grotesque yet meaningless human suffering. It’s a sad evolution but, admittedly, one that is brought on by the expectancy patterns of nowadays horror fanatics.
Original Language en
Runtime 1 hr 33 min (93 min), 1 hr 36 min (96 min) (unrated director’s cut)
Genre Crime, Horror, Mystery
Director Darren Lynn Bousman
Writer Patrick Melton, Marcus Dunstan, Thomas Fenton
Actors Tobin Bell, Scott Patterson, Louis Ferreira
Country Canada, United States
Awards 2 wins & 7 nominations
Production Company N/A
Sound Mix Dolby Digital, SDDS, DTS, DTS (Dolby 5.1)
Aspect Ratio 1.85 : 1
Film Length 2,529 m (Portugal, 35 mm)
Negative Format 35 mm (Fuji Eterna 500T 8573)
Cinematographic Process Digital Intermediate (master format), Spherical (source format)
Printed Film Format 35 mm