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Unbreakable 2000 123movies

Unbreakable 2000 123movies

Some things are only revealed by accident106 Min.
Your rating: 0
5 1 vote

Summary:

#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – David Dunn (Willis) is taking a train from New York City back home to Philadelphia after a job interview that didn’t go well when his car jumps the tracks and collides with an oncoming engine, with David the only survivor among the 131 passengers on board. Astoundingly, David is not only alive, he hardly seems to have been touched. As David wonders what has happened to him and why he was able to walk away, he encounters a mysterious stranger, Elijah Prince (Samuel L. Jackson), who explains to David that there are a certain number of people who are “unbreakable” — they have remarkable endurance and courage, a predisposition toward dangerous behavior, and feel invincible but also have strange premonitions of terrible events. Is David “unbreakable”? And if he is, what are the physical and psychological ramifications of this knowledge?
Plot: An ordinary man makes an extraordinary discovery when a train accident leaves his fellow passengers dead — and him unscathed. The answer to this mystery could lie with the mysterious Elijah Price, a man who suffers from a disease that renders his bones as fragile as glass.
Smart Tags: #supernatural_power #train_station #train_crash #superhero #comic_book_art #father_son_relationship #invulnerability #first_part #child_with_a_gun #comic_book #sole_survivor #security_guard #cult_film #osteogenesis_imperfecta #crime_fighter #brittle_bones #clairvoyant #car_accident #mother_son_relationship #hero #super_strength


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Ratings:

Unbreakable 2000 123movies 1Unbreakable 2000 123movies 27.3/10 Votes: 401,547
Unbreakable 2000 123movies 3Unbreakable 2000 123movies 270%
Unbreakable 2000 123movies 5Unbreakable 2000 123movies 262/100
Unbreakable 2000 123movies 7Unbreakable 2000 123movies 27.1 Votes: 7408 Popularity: 31.292

Reviews:

Soon found out had a heart of glass.

It often gets forgotten just what an exciting talent M. Night Shyamalan was during the early part of his film making career. True that Unbreakable, with its deliberate slow pacing and left-field narrative, would (and has) proved to be not everyone’s cup-o-tea, but there’s a film making craft here, and a genius idea brought to vivid life, that makes a spectrum of film lovers lament how his career nose dived, how his ideas quickly got as stupid as his acting…

Unbreakable challenges the thought process, spinning a story that’s of a adult comic book heart, but also of a clinical human examination. The narrative is consistently ambiguous, holding the patient viewers in enthral as the cosmic conundrums come tumbling off of the screen. It’s refreshing to find a story like this that is so devoid of cliché, where the wonderfully reflective Bruce Willis and the brilliantly fascinating Samuel L. Jackson feed off each other, their character’s destinies superbly steered by cast and director. Unbreakable is a complex movie, but not needlessly so, its strengths are numerous for those of a keen eye and ear. It represents Shyamalan’s most clever cinematic offering, to which the sad realisation comes to pass that he would never, as yet, be this smart and vibrant again. 10/10

Review By: John Chard Rating: 10 Date: 2015-07-31
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What a movie! This is one of the most underrated films out there, and it was unfairly compared to The Sixth Sense at the time the former was released. These are two very different movies, but both of them have a lot of twists, which was what brought fame to Shyamalan’s films, especially The Sixth Sense.

Unbreakable follows that same methodology. It has a lot of twists throughout the runtime, and they are quite diverse: some are very technical twists, related to our point of view of a particular scene that, as it progresses, we always find ourselves tricked (these ones, most people either don’t catch them or just don’t care … For me, it’s proof of brilliant writing); the others are the prominent plot twists, where something unpredictable happens to the overall story.

This movie has all of that and much more. The story itself is incredibly captivating since the main plot holds a lot of mystery and suspense, but these only work as well as they did thanks to Shyamalan, both director and screenwriter. His very unconventional way of storytelling and the anxiety that he’s able to convey to some fantastic scenes, elevate the film while delivering a perfect narrative. It’s even more mind-blowing the fact that this movie still makes so much sense and it didn’t lose its replay value after 17 years!

In fact, I bet it would be a striking success nowadays, where the superhero genre is over-saturated. Each year, we get more and more movies following the excessively used genre’s formula that makes almost every blockbuster an instant box office hit. Unbreakable is nowhere near that formula, and I genuinely think that any fan of comic-book films must watch this one so everyone can understand what a “grounded superhero movie” actually means. M. Night Shyamalan wrote a story that everyone can appreciate, without all of those big CGI fights and overwhelming visual effects. Comic-book fan or not, Unbreakable is the closest to what reality would be if superheroes really existed.

Regarding the cast, Bruce Willis probably has his career-best dramatic performance in this film. He’s terrific as David and I can feel all of the emotions which he wants to transmit to the screen. Samuel L. Jackson brilliantly plays Elijah, who has a real-life disease which SLJ portrayed beautifully and respectfully. The supporting cast is also worth praising since both Robin Wright (Audrey Dunn) and Spencer Treat Clark (Joseph Dunn) play magnificent roles as the wife and son of David, respectively.

Everyone helped Shyamalan direct exquisite dialogue sequences that extended for minutes without end. The editing and production of this movie are unbelievable … and it was filmed in 2000! There are so many long, one-take scenes that explain in just a few minutes, everything you need to know about a character or a specific place or event … Even a full action sequence is filmed in just one-take (the stunt work is also pretty efficient)! The soundtrack is so important, especially in the last act where everything comes to a conclusion. It’s inspirational and even epic, I dare calling it. It’s just perfect! Throughout the runtime, you can barely notice it due to how subtle it is. However, when it is needed to deliver a new layer of feelings, it always raises the moment.

As discussed above, this is a M. Night Shyamalan film, so a very powerful twist right at the end needs to happen … and it does. It gives the audience an unpredictable perspective about the whole story. I risk myself in saying that it isn’t exactly necessary, but the truth is that it makes sense and it does bring the movie to a whole other level, so very, very well done! Finally, I just wish that this film had been released now. It is so much different than what we are used to watching and experiencing, that I dare to say it is one of the best movies inside this genre.

Once again, Shyamalan shows the audience why was he becoming one of the most popular directors/screenwriters and proves that his rather unconventional storytelling, unpredictable twists and excellent direction are skills to praise more often. Bruce Willis and Samuel L. Jackson have great chemistry, but the former has his career-best dramatic performance. The editing, production, soundtrack and even the pacing of this film are entirely flawless, as well as the ending twist that leaves us with our jaws dropped. Unbreakable is one of the most underrated superhero movies ever, but it sits way on top as one of my favorites.

Review By: msbreviews Rating: 10 Date: 2019-01-14
Personal Significance
It seems this movie has taken a bit of heat, known by many as Shyamalan’s “worst” film. It is often written off as slow moving, and the twist at the end as unoriginal and boring. I’ve heard people say the acting and camera work was awkward and stale and that the casting was poor. Ironically enough, as more people begin to dislike this movie, the more I seem to fall in love with it. This film has a lot of personal bearing with me, both as a student of psychology and a lover of movies and just plain art. I feel like I’ve taken this film under my wing during its times of criticism, and now I’d like to try and show everyone what exactly I love about it so much.

Shyamalan really showed a stroke of brilliance by getting Serra to be his cinematographer and to play around with the aestetics of the film. I don’t know how or where Shyamalan is getting these guys for his movies, but I definitely love the style of each frame he shells out. Serra had been involved with predominately foreign films before Unbreakable. This was his first big American film, and I think you gotta give a little credit to Shyamalan for that. His unique and creative touch really added to the direction. In keeping with the “comic book” theme of the movie, you will notice that almost every shot is taken as if you are looking through or in between something. Like the squares of a comic strip. There is also a dark, slightly blue colored filter used throughout most of the film. This gives the movie a very bold, but eerie tone. Showing that the world can be a rough and scary place, but it can also be fought and overcome. It is evident that time and effort went into every shot. It may not slap many viewers in the face as brilliant, but it really strikes a chord with me.

As for the score, I am more than willing to argue that this is, hands down, James Newton Howard’s best score of his very successful career. It is compelling and booming. It’s very powerful, but not over-the-top and excessive. For anyone with the soundtrack, check out ‘The Orange Man’ and ‘Visions’. These are two of the most powerful pieces of any film score around. And I stress the word “powerful”. Yeah, he’s no Hermann or Morricone, but the emotional weight and emotive power of his chords and his overall composition are just downright chilling.

The writing and the direction are just as captivating as the score. Almost every line of dialogue and every scene seems to be placed out on an island, alone so that everyone can stop and judge it. Some people might view this as cocky and/or boring direction, but I see it as daring and unique. Much of Shyamalan’s writing is done that way. (‘…I see dead people…’ ‘…They call me Mr. Glass…’ etc. etc.) Another aspect of the film that tickles my fancy is the underlying themes. I do believe, to a certain extent, that people do have somewhat supernatural powers at times. People have been known to make miracles and do unbelievable things. Maybe these things could be ‘developed’ in some way. These theories are, in a way, intertwined with some aspects of psychology, such as selective attention and self-actualization. If you care to discuss some of these ideas, let me know and I will relate them to the film through my eyes. In short, I do believe there is a superhero in everyone. It may not be through supernatural powers, but it may simply be through the act of reaching out to a person in need. Other themes of the movie, like how completely different people can always be connected in some way and how everyone has their vulnerabilities and weaknesses are intriguing, yet universal. From a psychological point of view, Shyamalan really gets inside the head of OI patients (osteogenesis imperfecta). He then brings this psyche to the next level with Jackson’s character. Elijah, is very passionate but very tortured and evil. His interactions with Willis bring depth and focus to both the characters and the story. Certain scenes in the movie are really quite striking and powerful. The shots of Willis in his security poncho. The train station scene. Elijah’s breathtaking fall on the stairs and many more speak so loudly to me and say so much in just a simple clip. For some reason this movie just speaks to me, like art. If anyone cares to discuss more about this film, that’d be cool. There is a lotta other cool stuff to talk about with this movie. Just thinking about it makes me want to watch it a few more times. It may not be the feel good film of the year, or the masterpiece that everyone was looking for, but it definitely sits well with me.

Review By: bilcal7-1 Rating: 9 Date: 2004-08-17
Shyamalan’s second masterpiece – and his last good film
M. Night Shyamalan’s follow-up to THE SIXTH SENSE is a remarkable one; remarkable in the sense that it’s very nearly as good as the film that made Shyamalan’s name famous, and that it proves that he wasn’t just a one-hit wonder. UNBREAKABLE offers up the same kind of intense spooky atmosphere as his first film, and yet isn’t a horror movie at all. Instead, it’s a gripping thriller that draws you into the lives of a diverse bunch of characters and doesn’t let you go until the very end.

Every element is just right in UNBREAKABLE, from the superb acting to the music. The deliberately slow pacing of the movie may be off-putting to some (and, I admit, I did find some moments in the middle hard going) but works in creating realism and building up tension. There is little in the way of action in the film, but when it happens, it’s extremely suspenseful and absolutely riveting (two set pieces, one involving some subway steps and the other a janitor with a dark secret, are phenomenal, and the latter actually had me moved and in tears at the cinema). Criticism has also been levelled at this film’s “silliness” in places, in that it concerns a man who may be a superhero and the comic-book link is always strong. This just isn’t so, as these elements help to make the movie fantastic in both senses of the word. It’s probably the best comic book film I’ve seen as, unlike over-the-top others, the subtlety of the film and the fact that its set in the real world – unlike Tim Burton’s fare – give it an extra involving edge. Forget Batman and his rubber suit; this is the real thing.

Bruce Willis is, once again, a revelation, and a mile away from the two-dimensional wisecracking characters he was playing ten years ago. His moving, subtle performance really draws us into his character, creating a real man with real emotions and experiences whom we care about very much. Acting honours also go to Samuel L. Jackson, who plays perhaps the oddest character of his career, an sufferer of a brittle bone disease which sees him walking with a stick or in a wheelchair for the entire film. Jackson’s presence is an intense and commanding one. The supporting cast is also great, from Robin Wright Penn as the haggard, tired wife to Spencer Treat Clark as Willis’ son, who, while not being as endearing as Haley Joel Osment, is still pretty good.

Of course, with it being a Shyamalan film, there has to be a twist ending. At first I considered the ending here to be trite in nature, but it’s grown on me since I watched it last night and I now think it was a very good one after all. It may not match the jaw-dropping final moments of THE SIXTH SENSE but it provides a fitting conclusion to the film. With masterful direction, and intelligent, literate script, oodles of tension and fine acting, UNBREAKABLE is definitely one of THE films of 2000. Addendum: I recently reappraised this movie and found myself enjoying it even MORE than the first viewing. The twist ending now seems to be so obvious yet so brilliant. Congrats to all involved with the making of this masterpiece.

Review By: Leofwine_draca Rating: 9 Date: 2016-11-24

Other Information:

Original Title Unbreakable
Release Date 2000-11-22
Release Year 2000

Original Language en
Runtime 1 hr 46 min (106 min)
Budget 75000000
Revenue 248118121
Status Released
Rated PG-13
Genre Drama, Mystery, Sci-Fi
Director M. Night Shyamalan
Writer M. Night Shyamalan
Actors Bruce Willis, Samuel L. Jackson, Robin Wright
Country United States
Awards 2 wins & 15 nominations
Production Company N/A
Website N/A


Technical Information:

Sound Mix Dolby Digital EX, SDDS, DTS-ES
Aspect Ratio 2.39 : 1
Camera Panavision Panaflex Gold II, Panavision Primo and C-Series Lenses, Panavision Panaflex Millennium XL, Panavision Primo and C-Series Lenses, Panavision Panaflex Millennium, Panavision Primo and C-Series Lenses
Laboratory DuArt Film Laboratories Inc., New York, USA, Technicolor, Hollywood (CA), USA (prints)
Film Length 2,975 m (Spain)
Negative Format 35 mm (Kodak Vision 320T 5277, Vision 500T 5279)
Cinematographic Process Digital Intermediate (4K) (2021 remaster), Panavision (anamorphic)
Printed Film Format 35 mm (Kodak Vision 2383)

Unbreakable 2000 123movies
Unbreakable 2000 123movies
Unbreakable 2000 123movies
Unbreakable 2000 123movies
Unbreakable 2000 123movies
Unbreakable 2000 123movies
Unbreakable 2000 123movies
Unbreakable 2000 123movies
Unbreakable 2000 123movies
Unbreakable 2000 123movies
Original title Unbreakable
TMDb Rating 7.1 7,408 votes

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