#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – On September 11, 2001, two American Airlines and two United Airlines domestic U.S. flights are hijacked by terrorists. After the collision of two planes against the World Trade Center and one against the Pentagon, the passengers and crew of United Flight 93 decide to struggle against the four terrorists to take back the control of the airplane.
Plot: A real-time account of the events on United Flight 93, one of the planes hijacked on 9/11 that crashed near Shanksville, Pennsylvania when passengers foiled the terrorist plot.
Smart Tags: #september_11_2001 #based_on_true_story #islamic_terrorism #passenger #plane #flight #terrorist #hijacker #muslim #u.s._history #passenger_plane #world_trade_center_manhattan_new_york_city #one_day_time_span #aircraft_cockpit #airplane_hijacking #year_2001 #2000s #september #autumn #shanksville_pennsylvania #shanksville
|7.6/10 Votes: 103,412|
|7.1 Votes: 1056 Popularity: 23.253|
Understated but powerful
This movie approaches an incredibly sensitive subject in an entirely appropriate manner: with subtlety and understatement.
The actors look like real people and talk like real people talk. There are no dramatic exclamations. Even the signature “Let’s roll” line is stated almost in passing without any special significance being brought to it. The movie was utterly convincing in portraying how real people would have responded. There were no Bruce Willis or Wesley Snipe types amongst the passengers; they were ordinary folk in extraordinary situations, responding the best way they could.
Kudos to the filmmakers for not allowing this to become an overwrought melodrama. Instead, we saw a glimpse into the confusion and pain of people in the middle of the events of 9/11. Because it was understated, because it felt real, the impact was much stronger and gut-wrenching.
Intense, realistic and utterly compelling
A dramatised account of United 93, one of the four flights hijacked on 9/11. We see the events of that fateful day unfold from several perspectives – the passengers, crew and hijackers of United 93, several air traffic controllers in a few major control centres and from the perspective of the military, in particular US air defence at NORAD.
Intense, realistic and utterly compelling. Mixing dramatisations of actual events, eg the air traffic control scenes, with best guess estimates of what happened in United 93 we have a movie that is part-docu-drama, part-fiction (though probably quite close to the truth). This gives the movie a great grittiness.
Very well set up too. The scenes of passengers and crew getting on the plane are like any flight. This makes the movie even more engaging, as it shows it the characters were just everyday people going about their everyday lives, until fate changed that.
Even when action is called for, there’s no gung ho, Bruce Willis-like heroics. It’s all pretty realistic and engaging.
The sense of realism and real people is helped by having a cast of largely unknowns. Many of the air traffic controllers and some of the USAF personnel are played by themselves. No Hollywood pretentiousness and glamour.
And then there’s the tension. Director Paul Greengrass builds the intensity well, and ends the movie at the height of it, i.e. perfectly.
Even though you know how it is going to end, you can’t look away for a second, it is that compelling.
Original Language en
Runtime 1 hr 51 min (111 min)
Genre Action, Drama, History
Director Paul Greengrass
Writer Paul Greengrass
Actors David Alan Basche, Olivia Thirlby, Liza Colón-Zayas
Country United States, United Kingdom, France
Awards Nominated for 2 Oscars. 29 wins & 57 nominations total
Production Company N/A
Sound Mix DTS, Dolby Digital, SDDS
Aspect Ratio 2.39 : 1
Camera Aaton A-Minima, Angenieux Optimo Lenses, Arricam LT, Cooke S4, Zeiss Variable Prime and Angenieux Optimo Lenses, Arriflex 235, Cooke S4, Zeiss Variable Prime and Angenieux Optimo Lenses
Film Length 3,061 m (Portugal, 35 mm)
Negative Format 16 mm (Fuji Super F-250D 8662, Super F-500T 8672), 35 mm (Fuji Super F-250D 8562, Super F-500T 8572)
Cinematographic Process Digital Intermediate (2K) (master format), Super 16 (source format) (some scenes), Super 35 (source format)
Printed Film Format 35 mm (anamorphic) (partial blow-up), D-Cinema (2021 Re-Release)